List the assessment methods to be used and the context and resources required for assessment. Copy and paste the relevant sections from the evidence guide below and then re-write these in plain English.
Elements Elements describe the essential outcomes. | Performance Criteria Performance criteria describe the performance needed to demonstrate achievement of the element. |
1. Prepare for pas de deux with partner | 1.1 Research and analyse chosen pas de deux work 1.2 Cooperate with and develop rapport with partner during the rehearsal process and seamlessly adjust to a change of partner when required 1.3 Practise timing and weight centring in accomplishing adage, pirouettes, promenades and lifts with partner 1.4 Rehearse complex lifts and counterbalances with grace, balance and control 1.5 Exhibit professionalism and adaptability to incorporate unseen combinations across different teaching methods 1.6 Demonstrate through ongoing technical strength, diversity and refinement, evidence of advanced self-correction, safe dance practices and concentrated response to feedback 1.7 Display correct technical requirements of pas de deux |
2. Apply technique in professional level performances | 2.1 Rehearse performances until perfected 2.2 Undertake preparations appropriate to performance contexts 2.3 Ensure that personal presentation is appropriate to performance contexts 2.4 Apply performance psychology techniques to preparations 2.5 Maintain focus to produce performances that show artistry, rhythm and musicality and convey the story and mood of the dance 2.6 Convey choreographic intent of dances through confident and precise execution of ballet dance techniques 2.7 Contribute to debriefing sessions to evaluate the quality of performances and to discuss ways of improving individual or ensemble technique |
3. Execute pas de deux in professional level performances | 3.1 Demonstrate complex performance attributes and quality of movement 3.2 Show strength, precision and complexity in all aspects of footwork, including pointe work as required 3.3 Sense when female dancer needs to leave a balance, or needs to be steadied, and be there to offer support (male only) 3.4 In supported pirouettes or finger turns, sense how many turns to do, matching it to partner, and phrase the choreography with the music 3.5 Apply the flexibility, sense of line and clear positions essential to the form 3.6 Emulate the style and intention of pas de deux repertoire across ballet styles and genres through partnering techniques |
4. Develop professional practice | 4.1 Refine professional work ethic 4.2 In consultation with teachers and mentors, develop realistic parameters for extending scope of performance practice 4.3 Identify regimes and artistic strategies to refine own performance technique 4.4 Incorporate ballet and stage terminology into discussions, and practice and performance activities |
Evidence of the ability to:
demonstrate the following advanced partnering skills at a professional level:
travelling steps
supported adagio
pirouettes
lifts
synchronise movement in a duo situation
work effectively and with confidence with a partner
apply professional practice
use ballet and stage terminology correctly.
Note: If a specific volume or frequency is not stated, then evidence must be provided for each of the above points at least once.
To complete the unit requirements the individual must:
explain how the following principles relate to physical movements and ballet technique:
extending
folding
relationship with gravity
rotating
shifting weight
spatial awareness
successional movement
use of breath
explain how the following apply in the context of safe dance practice and injury prevention:
articulation of the spine
engagement of the feet
bases of support, including feet, legs, hands, arms and torso
range of motion of the joints
differentiation of the legs and pelvis
demonstrate understanding of the fundamental technical principles in classical ballet as they relate to pas de deux
demonstrate comprehensive knowledge of pas de deux repertoire and performances.
Assessment must be conducted in a safe environment where evidence gathered demonstrates consistent performance of typical activities experienced in creative arts industry environments. The assessment environment must include access to:
fully equipped dance studios with suitable flooring
appropriate music or accompanists.
Assessors of this unit must satisfy the requirements for assessors in applicable vocational educational and training legislation, frameworks and/or standards.