Elements and Performance Criteria
- Organise input sources
- Determine audio requirements and timelines in consultation with relevant personnel and with reference to production documentation
- Assess venues to determine input source options based on acoustic analyses that take physical limitations into account
- Take acoustic sources of audio into account when identifying preferred microphone placement
- Clarify the backline needs of musical groups as required and organise microphones and other input sources accordingly
- Keep up-to-date with developments in audio technology to ensure the most appropriate selection of microphones and the best approach to audio operations
- Reach agreement on placement and organisation of microphones and other audio input sources prior to technical run-throughs or rehearsals
- Maximise gain on stage
- Manage inputs
- Prepare and implement appropriate microphone plots
- Patch microphone signals to audio mixing desk, including multiple signals as required
- Prepare and maintain an input signal failure plan
- Test input sources, identify problems promptly and take appropriate action to rectify
- In consultation with relevant personnel, evaluate quality of audio set-up and note areas for future improvement