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Elements and Performance Criteria

  1. Interpret the creative brief
  2. Conduct and evaluate research
  3. Generate and assess ideas
  4. Develop and document the design
  5. Communicate design ideas and make amendments
  6. Liaise with others to implement set construction

Required Skills

Required skills

communication skills sufficient to

collect and interpret creative information scripts and images

negotiate with and lead teams

preparepresent reports and design briefs

visualise and interpret creative concepts

initiative and enterprise skills sufficient to

exercise a high level of creativity and ingenuity

maintain design integrity

literacy skills sufficient to interpret and develop construction specifications

numeracy skills sufficient to cost and budget for set design

technical skills sufficient to

draw paint make models or use other representation techniques either manually or with CAD including perspective and technical drawing

work with specialised materials

planning and organising skill sufficient to

access raw partprocessed and processed materials and components from a range of sources and suppliers and ascertaining their suitability

manage information

manage projects and budgets

undertake production scheduling and human resource management

undertake research in relation to production design including creative interpretation and adaptation

work under pressure work to deadlines and manage time

Required knowledge

behaviour of materials finishes painting techniques and colours under lighting

constructionmanufacturing methods and implementation issues associated with the realisation of sets designs

copyright moral rights and intellectual property legislation in relation to production design

current and emerging technologies relevant to set design

ethical standards and protocols for designers working in the cultural industries

principles and elements of design and their relevance to set design

principles and techniques of design and script breakdown

production scheduling process and its interrelationship with the design process

properties applications and durability of materials used in set construction

relationship between design elements costume sets lighting props sound

role of set design within the overall artistic direction of a production

role of the set designerand relationship with other production personnel

sources and availability of materialsequipment for set design and construction

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the following is essential

ability to communicate and negotiate with a production team

ability to develop and realise creative set design concepts which meet production requirements and constraints

ability to project manage the design process

ability to research interpret and adapt design concepts

Context of and specific resources for assessment

Assessment must ensure

access to a range of equipment as listed in the Range Statement

access to production scriptsperformance outlines on which designs can be based

access to resources for the development and realisation of designs including equipment materials financial and human resources

access to suitable venues for the realisation of productions

access to appropriate learning and assessment support when required

the use of culturally appropriate processes and techniques appropriate to the oracy language and literacy capacity of the assessee and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

evaluation of set designs for which candidate has been responsible in terms of meeting creative brief and resource practicality

evaluation of reports produced by candidate which demonstrate processes used in developing and realising creative concept

oral or written questioning aimed at evaluating the processes used by candidate in developing and realising the creative concept

review of portfolios of evidence and third party workplace reports of onthejob performance by the candidate

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

BSBCMMA Make a presentation

BSBCMM401A Make a presentation

CUEDESB Establish and refine a brief

CUEDES04B Establish and refine a brief

CUEDESB Manage design realisation

CUEDES05B Manage design realisation

CUEFINC Develop a budget

CUEFIN01C Develop a budget

CUEFINC Manage a budget

CUEFIN02C Manage a budget

CUEINDB Research and evaluate theatrical references to inform industry practice

CUEIND02B Research and evaluate theatrical references to inform industry practice

CUESETC Use research innovation and experimentation to create sets

CUESET07C Use research, innovation and experimentation to create sets

CUESETB Construct mechanical sets

CUESET10B Construct mechanical sets

CUETEMC Coordinate production operations

CUETEM01C Coordinate production operations

CUVCORB Select and apply drawing techniques and media to represent andcommunicate the concept

CUVCOR09B Select and apply drawing techniques and media to represent andcommunicate the concept

FNSICGENB Participate in negotiations

FNSICGEN402B Participate in negotiations.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Relevant personnel may include:

choreographer

designer

director (art, photography, technical)

floor manager

performer

producer

production designer/manager

set construction/production personnel

set supervisor/manager

specialist/technical staff

Production may include:

animated productions

commercials

documentaries

feature films

filmed events or performances

live or pre-recorded television productions

music video

short films

television productions of any type (e.g. music, drama, comedy, variety, sport)

Factors may include:

available expertise

available resources (human, financial, physical)

available technology

budget

director's approach/instructions

level of assistance available during implementation and construction

needs of other production areas

regulations

space/venue specifications or restrictions

style/period/nature/scale of production

timelines

References may include:

collages

computer databases

contact with historical associations

digital images

libraries

manual files

models

musical scores

newspapers, reference books, journals, texts

paintings and illustrations

photographs

scripts (adapted or original)

sketches

talking and listening to experts

technical production drawings

use of the internet

watching documentary films and videos

writings of the period

Set designs may include:

automated and animatronic devices

back drops

cycloramas

drops

electrical and mechanical winches

flats

flooring and floor cladding

flown pieces

hydraulics

large props (e.g. furniture)

lifts

pneumatics

rakes

revolves

road cases, boxes, crates for storage/transportation

rostra

scaffolding

soft drapes

special effects sets

stairs

traps

treads

trucks

Accurate record of the design may include:

collages

colour illustrations

fabrics

material swatches

mock-ups

models

photographs

plans (computer or manually generated)

samples

scale models of sets

sketches

specifications

technical drawings

Set plans and specifications may include:

construction materials:

adhesives

cloths (canvas, gauze, nessle, wool, silk, velour, synthetic fabric)

fabrics

fasteners

fibreglass

leather

masonite

metal products (e.g. bars, tubes, sheets)

mouldable materials

moulded or cast metal

paper products

plaster

plastic

polystyrene

thermoplastic

timber/timber products

construction techniques:

ageing

fabrication

gluing

metalwork (e.g. cutting, welding, brazing)

moulding

painting

sculpting (and other shaping methods)

timber construction

woodworking

Production requirements may include:

occupational, public health & safety requirements:

commonwealth, state and territory OHS regulations

local government construction legislation and regulation

national and international standards, guidelines and codes of practice

production environments:

on location (interior, exterior)

outside broadcast

stage/theatre/venue

studio