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Follow the links below to find material targeted to the unit's elements, performance criteria, required skills and knowledge

Elements and Performance Criteria

  1. Make preparations for audio set-up
  2. Complete tasks using audio equipment

Required Skills

Required skills

literacy skills sufficient to extract key information from audio installation plans

numeracy skills sufficient to sort and count equipment

Required knowledge

the general scope and potential of audio operations within different live production contexts eg theatre music corporate

the relationship between audio operations and other technical and performance areas including lighting vision systems and performance

typical roles and responsibilities of audio technicians in different contexts including different career paths

fundamentals of sound in a circuit including understanding that microphone level is to dB line level

features and meaning of a typical sound system signal flow chart including signal chains gain structure and levels

decibel levels and basic sound pressure level measurement including that frequency is measured in Hertz understanding the differences between Hz and kHz

understanding of phase including phase cancellation and that at degree phase difference signals do cancel each other out

common terminology used in relation to audio

occupational health and safety requirements and legislation that relate to audio personnel in particular with regard to working safely with electricity

requirements for the storage of audio equipment

key features purpose and basic operating procedures of major types of audio equipment including different types of loudspeakers audio mixing consoles signal processing equipment input source equipment and common accessories

different types of cable their usage in different situations and how to care for them including

microphone cables how to run safely and neatly and where to store excess

speaker cables how to run safely and neatly and avoid lighting components

multicore cables how to run safely and neatly and where to store excess

power cables how to run safely and neatly and where to store excess

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

The following evidence is critical to the judgement of competence in this unit

recognition of sound equipment including key features and purpose

understanding of signal flow through the audio chain

completion of audiorelated tasks in accordance with health and safety procedures

Context of and specific resources for assessment

The assessment context must provide for

practical demonstration of skills through the completion of a range of preparatory and setup tasks with industrycurrent audio equipment

project or work activities that allow knowledge to be applied to specific production contexts and situations

Method of assessment

Assessment may incorporate a range of methods to assess performance and the application of essential underpinning knowledge and might include

direct observation of the candidate completing audiorelated tasks

evaluation of equipment which has been setup by the candidate

oral or written questioning to assess knowledge of equipment and audio theory

review of portfolios of evidence and third party workplace reports of onthejob performance by the candidate

Assessment methods should closely reflect workplace demands and the needs of particular groups eg people with disabilities and people who may have literacy or numeracy difficulties such as speakers of languages other than English remote communities and those with interrupted schooling

Guidance information for assessment

Assessment of this unit requires access to

a range of sound equipment as identified in the Range Statement

a sound system

an environment in which an audio system can be run


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Equipment must include:

audio mixing consoles

input source equipment

loudspeakers

Accessories used in live audio may include:

active splits

analysis software

continuity and phase testers

DI boxes

insolation transformers

spectrum analysers

SPL meters

white or pink noise generators

Equipment differences for loudspeakers may include:

features of high frequency compression driver types

size of paper cone loudspeakers

Equipment differences for audio mixing consoles may include:

how front of house consoles differ from stage monitor consoles, particularly the difference between pre and post fade auxiliary sends

Equipment differences for input source equipment may include:

devices in the main signal chain, e.g. equalisers, CD, cassette, mini disk

devices inserted over individual channels, such as noise gates, limiters, compressors, preamps

Correct start up sequence and operating settings for an audio system would include:

ensuring all amplifier volume controls are down (at minimum settings)

ensuring all output faders on console are down (at minimum settings or muted)

powering up all front-of-house equipment first

powering up amplifiers last

winding up amplifier volumes after all equipment is powered up

Correct sequencing of wiring would include:

connection of adequate mains to all components and understanding of power isolation

patching to create a complete signal chain from input to output

safe and neat positioning of cables and multicore

Sound equipment may include:

amplifiers to suit the system

analogue FOH mixing desk of at least 24:8:2 format

CD player

computer DAT

effects rack

hard disc recorder

microphones of different pickup patterns and types

mini disc

signal processing equipment

speakers as part of the system

stereo 3-way PA system for audiences of different sizes