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The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included. |
Production personnel may include: | assistant editorcamera operatorsCGI (computer generated imagery) personneldesignersdirectorfloor managerlaboratory staff producerproduction designerproduction managersenior editorsound editing personnelsound effects personneltechnical directorother technical/specialist staff. |
Documentation may include: | assembly order camera reportscomputer generatedcontractsEDLs (edit decision lists)fault reportshire agreementslist of sequences with relevant shot numbersmanually writtenmanufacturer specifications/instructionsmarked-up scriptsmarked-up transcriptsmemos of instructionoperational/project planproduction schedulesscriptssound reportssound sheets, including time-code log sheets for location sound recordingswild-line and sound effects log sheets. |
Editing equipment may include: | computersdigital non-linear, e.g. Mac G5, Avidediting binslinear, e.g. tape to tapeoff-lineonlinepic syncrewinderssynchronisersviewers. |
Software may include: | after effects packagecomputer programs, e.g. Final Cut ProEDL softwarefreewareIllustratorPhotoshopshareware. |
Consumables may include: | computer diskscotton glovesfilm cansfilm leaderlabels sound tapes of any format, e.g.:DATcartridgecompact audio cassettereel to reelspare videotapes of any format, e.g.:DVCBetaVHSmini-DVDHDTV. |
Source materials may include: | audio tapescamera tapesCDsDVDsfilmgraphicsinternetstillswork printswork tapes. |
Editing may include: | computerised datadigital non-linearfilmlinearoff-lineonlinevideo. |
Technical and creative criteria may include: | ADR (additional dialogue recording)audio levelsbreak in control trackbroadcast qualitycolour barsdrop-outs film leaders graphicsnon-broadcast qualityproduction stylequality of image/soundrushes script materialssequences, e.g.:vision cutssound editing, e.g. dialoguevoice-overmusicshots, e.g.:wide shotsmid shotclose-ups and medium close-upstwo shotlong shotwide-anglehigh-anglelow-anglebird's eyepanstiltscutawaystwo shotsnoddyreverses sync markstape blacktime codes. |
Formats may include: | audio/sound, e.g.:DATAIFFWAVMIDImagnetic tapecomputerised datafilm of any gaugegraphicsstills video of any format, e.g.:DVCVHSBetaHDTV. |
Editing decisions may include: | actioncompositioncoveragedialogueframe ratio and rateframingglitches, faults, drop-outsmusicnarrationpacingscript changesshot compositionsoundtrackspecial effectstimingvoice-overs. |
Production requirements may include: | ADR (additional dialogue recording)aestheticanimation atmosphere tracksdurationseffectsgraphicsmusicproduction titlestechnicaltime code, e.g.:SMPTE/EBUburned-in codekeyed-in codevoice-overs. |
Additional materials may include: | archival footage:soundimagefile imagesstock footage:soundimage. |
Editing conventions may include: | action cutting (before, during and after the action)consistency of stylecontinuity (crossing the line, eyeline)cut awaycut incut outfades and dissolvesfreeze framejump cutmontage. |
Productions may include: | animated productionscommercialsdocumentariesfeature filmsfeatures - television and filmfilmed events or performanceslive televisionmusic video news and current affairspre-recorded television productionsshort filmstelevision productions, e.g.:musicdramacomedyvarietysport. |