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The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included. |
Production personnel may include: | assistant editorbroadcastersCGI (computer generated imagery) personneldirectormusiciansproducerproduction managersound designersound editorsound effects personnelsound engineersound recording studio personnel station managersupervisortechnical directorvolunteers coordinatorother technical/specialist personnel. |
Productions may include: | animated productionsCD/DVD commercialsdocumentariesfeature filmsfeatures - television and filmfilmed events or performancesinteractive media productsmusic music videosnews and current affairspodcastspromotional trailersradio broadcastsshort filmstelevision programs, e.g.:musicdramacomedyvarietysportwebsites. |
Source materials may include: | archival recordingsatmosphereCD/DVD recordingsfoley effectslive captured effectsmusicSFX (sound effects)synthesised soundvoice recordings/dialogue. |
Additional materials may include: | archival sound footagefile imagesstock sound footage. |
Documentation may include: | assembly order computer generatedduration print-outsEDLs (edit decision lists)fault reportshire agreementslist of sequences with relevant shot numberslog sheets for location manually writtenmarked-up scriptsmarked-up transcriptsmemos of instructionoperational/project planproduction schedulesscriptssound recordingssound/audio reportswild-line and sound effects log sheets. |
Digital storage may include: | cassettesCDDATDMSS (digital mass storage systems)DVDhard disksinternal sound cardsmagneto-opticaloptical tape. |
Editing equipment may include: | amplifiersaudio convertersaudio desk/mixersCD player/burnerCDsDAT (digital audio tape)digital and analogue recording devicesdigital non-linear (online) editing systemsDVDseffects rackhard disk recorderheadphoneslinear (off-line) editing systemsmini disksmixing console/desk analogue, digital, digitally controlled analogue (hybrid)sequence samplerspeakerstape machines. |
Additional equipment may include: | cassette player/recorderCD player/recorderDVD player/recorderheadphonesiPodmicrophonessound cablesspeakers. |
Consumables may include: | computer diskslabelsmarker pensmini diskssound tapes, e.g.:DATcartridgecompact audio cassettereel-to-reel16 mm magnetic. |
Audio content may include: | atmosphere recordingsdialoguefoley effectsinterviewslive recordingsmusicsound effectssynthesised audio. |
Formats may include: | audio/sound, e.g.:DATAIF (AIFF)WAVWAV (BWF - broadcast WAV format)WMAMIDIOGGAAC (advanced audio coding)Apple losslessmagnetic tapeReal AudioQuickTimeMP3computerised data. |
Software may include: | after effects packagecomputer programs, e.g.:Pro ToolsSound ForgeAdobe AuditionFinal Cut ProAdobe After EffectsEDL softwarefreewareshareware. |
Sound edit may include: | computerised datadigital non-linearedit of rough and fine cutsedit of source and recorded materialsfilm and video audio assetsinitial edit of sound rushesintegration of the picture (image) editing process to ensure sound and picture are in sync linearoff-lineon-line. |
Sound sequences may include: | atmosphere tracksdialoguefoley effectsmusic sound effects tracks that have been:pre-recorded (using sound effects libraries)recorded live (foley sound effects, production sound effects)electronically generated (synthesised/computer generated sound effects)voice-overs. |
Production requirements may include: | ADR (additional dialogue recordings)aestheticatmosphere tracksdurationseffectsmusictechnicalvision and sound editvoice-overs. |
Technical and creative criteria may include: | ADR (additional dialogue recordings)audio levelsbalance between track levelsbalance of background musiccompression factors, e.g. codecsconsistency of voice levelscontinuity of background ambience in location recordingsdistortiondurationseditorial requirementsenhancement of visual imagesfoleynatural pausationsound balance, e.g. musicsynchronisation of sound and vision. |
Details may include: | copyright detailsdurationsin and out pointsquality assessmentsource detailsspecific contenttake optionstechnical notes. |
Manipulating editing software and equipment may include: | adjusting and normalising audio levels inserting, e.g.:transitionssound effectsmusicvoice-oversoverlaysmanipulating audio clips, e.g.:cuttingpastingcopyingmovingsplitting. |