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Elements and Performance Criteria

  1. Clarify analysis requirements
  2. Identify theoretical elements of music
  3. Analyse how functional harmony contributes to performance and compositional outcomes
  4. Complete analysis

Required Skills

Required skills

communication and literacy skills sufficient to

interpret and clarify written and verbal instructions

respond positively to constructive feedback

articulate music analysis accurately and appropriately using appropriate conventions of music writing and nomenclature

use language appropriate to the intended audience

analytical skills sufficient to

apply appropriate analytical methods of interpretation relevant to area of specialisation

retrieve and use appropriate resources to develop analysis

focus analysis on appropriate harmonic elements within compositions andor performances

accurately identify a variety of scales chord sequences and music systems including rhythms time signatures beat patterns or other elements of musical organisation

initiative and enterprise skills in the context of empathising with the creative work of composers and performers

selfmanagement and planning skills sufficient to

prioritise work tasks

source information and reference material in a timely fashion

meet deadlines

seek expert assistance when problems arise

Required knowledge

welldeveloped understanding of musicrelated issues including

styles and genres and musical forms and conventions relevant to analysis

music notation

techniques for discriminating music aurally to analyse music

repertoire relevant to chosen musical styles and genres

musical and cultural protocols

musical form and performance conventions

cultural circumstances of music performance and consumption

elements of musical organisation in relation to content of written work

technical processes and demands of composition andor music performances

issues and challenges that arise in the context of analysing functional harmony

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

complete at least three harmonic analyses that demonstratesound understanding of functional harmony

apply sound reflective criticallistening and communication skills in the context of analysing functional harmony

Context of and specific resources for assessment

Assessment must ensure

access to printed scores or recorded performances as required by the specialisation to be assessed

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of the candidate and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

evaluation of harmonic analyses completed by the candidate

written or oral questioning to test knowledge as listed in the required knowledge section of this unit

case studies and scenarios as a basis for discussion of issues and challenges that arise in the context of analysing functional harmony

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUSMCPA Compose simple songs or musical pieces

CUSMCP301A Compose simple songs or musical pieces

CUSMCPA Develop techniques for composing music

CUSMCP402A Develop techniques for composing music

CUSMLTA Notate music

CUSMLT303A Notate music

CUSMLTA Notate music for performance

CUSMLT401A Notate music for performance.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Appropriate personnel may include:

composers

artists and performers

editors

writers

graphic designers

program or event managers

sound-production or recording personnel

producers

programmers

academic supervisors

teachers

mentors.

Purpose and scope may include:

deconstruction of musical examples into theoretical component parts, including:

melodic, harmonic and rhythmic structures in music

technical components of music

expressive components of music

representation of new musical ideas

performance

composition

arrangements and arranging principles

research for:

performance

improvisation

academic purposes

written articles, program notes, criticism or marketing

educational purposes and materials

performance critiques.

Methodologies may include:

investigating the use conventions of notation and music nomenclature

investigating and using relevant theoretical principles

reflective listening

studying music notation examples, including specific scores and texts

performance analysis

studying the representation of music as symbols

transcribing and analysing musical examples

debating ideas

reviewing and incorporating ideas from relevant literature and methodologies

cross-referencing compositional and performance examples

practical application of functional harmony.

Elements of functional harmony may include:

chords and chord construction

harmonic progressions

keys and key centres

voice leading

substitution ideas and methods

intervals

cycle of fourths and fifths

accidentals

chord/scale relationships

tonal and atonal elements.

Musical examples may include:

traditional, including European classical or traditional music of any other cultures

all contemporary popular musical styles

jazz

world

country

folk.

Theoretical vocabulary may include musical devices and systems that relate to:

articulation

beat

chord/scale relationships

dissonance and consonance

dynamics

expression

form/structure

harmony, chords and progressions

interpretation

melody

nuance

ornamentation

phrasing

pitch

rhythm

scales

tempo

timbre/tone colour

time signatures

tonality.