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Elements and Performance Criteria

  1. Assist with prerecording checks
  2. Contribute to recording operations

Required Skills

Required skills

literacy skills sufficient to

log and label recorded material

note and report system faults and problems

read and understand recording documentation

numeracy skills sufficient to calculate duration and capacity of recording media

communication skills sufficient to

liaise with sound productionrecording personnel

understand and follow instructions

respond positively to constructive feedback on own performance

learning skills sufficient to maintain currency of knowledge of recording equipment upgrades

planning and organisational skills sufficient to

prioritise work tasks

meet deadlines

seek expert assistance when problems arise

problemsolving skills sufficient to identify and refer system faults and problems to soundproduction personnel

teamwork skills sufficient to work effectively with soundproduction personnel

technology skills sufficient to work with a variety of soundrecording equipment

Required knowledge

basic principles and techniques of sound recording including

audible defects in analogue and digital technologies

identificationlogging requirements

operational principles of microphones including microphone placement

operationaltechnical limitations of recording mediums

recording formats and technical standards

signaltonoise ratio signal phase and audio levelheadroom control

OHS principles of safe listening including safeguards against hearing loss

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

apply OHS principles of safe listening to daytoday work activities

use a range of industrycurrent sound equipment and accessories

work cooperatively in a production environment

Context of and specific resources for assessment

Assessment must ensure

access to a range of work environments and productions where sound is recorded

access to industrycurrent sound equipment and accessories

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

case studies to assess candidates ability to apply OHS principles of safe listening to daytoday work activities

evaluation of a range of live acoustic andor sequenced recordingsin which candidate assisted asound technician or engineer

observation of the candidate assisting with sound recordings

written or oral questioning to test knowledge of basic principles and techniques of sound recording

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUFINDA Develop and apply creative arts industry knowledge

CUFIND201A Develop and apply creative arts industry knowledge

CUFSOUA Perform basic sound editing

CUFSOU204A Perform basic sound editing

CUSMLTA Develop and apply musical ideas and listening skills

CUSMLT201A Develop and apply musical ideas and listening skills

CUSSOUA Mix sound in a broadcasting environment

CUSSOU202A Mix sound in a broadcasting environment.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Documentation may include:

cue sheets and track sheets

dubbing charts

equipment instructions

OHS requirements

organisational standards

performers' requirements

production schedule and set-up reports

shot lists

sound and audio reports

storyboards

technical manuals.

Consumables may include:

audiotape

compact discs (CDs)

cue sheets and track sheets

digital versatile discs (DVDs)

masking tape, marker pens and labels

memory cards

mini discs (MDs).

Recording production may include:

commercial

print advertisement

corporate video

feature film and/or video

filmed event and/or performance

interactive digital media product

internet production

music recording and/or video

promotional trailer

radio broadcast

short film and/or video

television program

training film and/or video

voice-over.

Sound equipment and accessories may include:

amplifiers

analogue to digital converters

cables

computer technology and associated software

digital and analogue recording devices

digital audio players

headphones

microphones and accessories

mixing consoles and desks

monitors and speakers

signal processors and plug-ins.

Production requirements may include:

attributions

audience

budget

confidentiality

content

contractual arrangements

copyright

deadlines

direct quotes

duration

intellectual property

interviews

location

purpose

schedule

style.

Appropriate persons may include:

artists, musicians and performers

audio and sound engineers

audio and sound technicians

dubbing machine operators

broadcasters

directors, producers and photographers

post-production editors and mixers

program managers

sound designers and editors

sound effects personnel

video and sound recorders.

Placement and movement of equipment may involve:

observing safety and technical requirements

avoiding extraneous and unwanted noise, e.g. from cables

with screen productions:

avoiding shadows and reflections

ensuring that equipment is not in frame

aiming a boom microphone upwards or downwards depending on the shot

placing microphones in more than one position to capture the required sound perspective.

Microphones may include:

boundary (PZM)

capacitor/condenser

contact

digital

directional

dual-element

dynamic

headset

lapel

low and/or high impedance

microphone systems

noise cancelling

shotgun.

Microphone accessories may include:

boom poles

cables

clips

connectors

housing

pop filters

shock mounts

stands

windscreens.

Sound check may include checking:

levels

frequency response

phase relationships

signal-to-noise ratio.

Characteristics of recorded sound may include:

frequency response

phase relationships

signal-to-noise ratio level

mono/stereo/5.1 surround sound

spatial position and image

balance

tonal quality

perspective

acoustic

dynamic range.

Signal processing may include:

amplitude (dynamic) signal processing

noise processing

spectrum signal processing

time signal processing.

Work environment may include:

dubbing theatre

on location

outside broadcast

post-production studio

recording studio

sound stage.