Google Links

Follow the links below to find material targeted to the unit's elements, performance criteria, required skills and knowledge

Elements and Performance Criteria

  1. Prepare for broadcast
  2. Mix audio inputs on air
  3. Complete operations after broadcast

Required Skills

Required skills

teamwork skills sufficient to work cooperatively with others in a broadcasting environment

problemsolving skills sufficient to respond effectively to technical problems that arise in a livetoair studio situation

initiative and enterprise skills in the context of managing a range of audio inputs smoothly and efficiently in a live broadcast situation

selfmanagement and planning skills sufficient to

wrap up technical aspects of a live broadcast or recording session within the allocated time

prioritise work tasks

meet deadlines

seek expert assistance when problems arise

literacy skills sufficient to read and complete routine workplace documentation

numeracy skills sufficient to time presentation material to fit within the allocated program time

auraldiscrimination skills sufficient to ensure that audio levels are consistent throughout the program

technical skills sufficient to

operate a basic broadcast studio panel

rectify simple technical faults that occur in a broadcast studio environment

Required knowledge

industry knowledge including

roles and responsibilities of personnel involved in the production process

issues and challenges that arise in the context of operating a studio panel livetoair

radio conventions and terminology

characteristics of sound in a broadcast studio environment

basic understanding of the audio signal path from studio to listener

issues and challenges that typically arise in the context of operating a studio panel in a livetoair situation

OHS requirements as they relate to the operations of a radio station including safe noise levels

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

operate a basic broadcast studio panel on at least three occasions

operate the full range of audio inputs at the correct level in line with production requirements

integrate a number of different tasks simultaneously

interact effectively with presenters and studio guests

work cooperatively in a broadcast production environment

Context of and specific resources for assessment

Assessment must ensure

access to a basic broadcast studio

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

observation or video recording of the candidate operating a studio panel

evaluation of authenticated audio recordingsof broadcasts where the candidate was the panel operator

written or oral questioning to test industry knowledge and characteristics of sound in a broadcast environment

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUFINDA Develop and apply creative arts industry knowledge

CUFIND201A Develop and apply creative arts industry knowledge

CUFINDA Work effectively in the screen and media industries

CUFIND301A Work effectively in the screen and media industries

CUSSOUA Assist with sound recordings

CUSSOU201A Assist with sound recordings

CUSSOUA Record and mix a basic music demo

CUSSOU302A Record and mix a basic music demo.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Equipment may include:

audio playback equipment

CD players

computer technology and associated software

headphones

microphones:

condenser

dynamic

radio

lavalier

off-air monitors

manual and automated studio panels

turntables

digital and analogue recording devices

sequence samplers.

Relevant personnel may include:

producers

presenters

announcers

program managers

broadcasters

station managers

volunteer coordinators

volunteers

clients

sales representatives

performers

studio guests

other technical staff

other specialist staff.

Productions may include:

documentaries

drama programs

commercials

print advertisements

sporting broadcasts

news and current affairs

music programs

talkback programs

live events and performances.

Production requirements may include:

duration

style

content

budget

deadlines

timelines

location

audience

purpose

contractual

confidentiality

intellectual property

copyright

schedule

direct quotes

attributions

interviews in studio, telephone or prerecorded

technical

creative

OHS.

Audio inputs may include:

live voice in studio

music

prerecorded material

cross to live broadcasts

telephone talkback.

Presentation material may include:

music

prerecorded material, such as:

interviews

announcements

sound grabs

intros and outros.

Documentation may include:

production schedules

log sheets

technical fault report sheets

Australasian Performing Rights Association (APRA) log.