Google Links

Follow the links below to find material targeted to the unit's elements, performance criteria, required skills and knowledge

Elements and Performance Criteria

  1. Clarify music demo requirements
  2. Record performers
  3. Mix sound sources
  4. Finalise music demo

Required Skills

Required skills

criticallistening and auraldiscrimination skills

literacy skills sufficient to

log and label tracks

note and report faults and problems

read and understand mixing documentation

numeracy skills sufficient to calculate duration of tracks

communication and teamwork skills sufficient to

liaise with soundproduction personnel and performers

understand and follow instructions

planning and organisational skills sufficient to

prioritise work tasks

meet deadlines

seek expert assistance when problems arise

problemsolving skills sufficient to identify faults that may occur in audioproduction environments and refer problems to relevant personnel

learning skills in the context of acting on constructive feedback about own work performance

technology skills sufficient to operate

a variety of mixing consoles

signalprocessing and effects devices

Required knowledge

basicaudio principles and practice including

range of microphones and contexts in which they are used

microphone characteristics eg frequency response sensitivity and polar patterns

effect of microphone placement on quality of sound

characteristics of sound in a range of environments

signaltonoise ratio signal phase and audio levelheadroom control

audible defects in analogue and digital technologies

features of mixers amplifiers speakers and effects racks

signal distortion

basic principles of acoustics including

frequency

pitch

amplitude

loudness

velocity

wavelength

acoustical phase

timbre

sound envelope

basic understanding of psychoacoustic principles including

spatial hearing

direct sound

early sound

reverberant sound

room design

characteristics of musical instruments in the context of recording and mixing

techniques for manipulating input signals and gaining structure through use of

equalisers

filters

compressorsexpanders

faders and auxiliaries

effects devices

issues and challenges that typically arise in the context of recording and mixing a basic music demo

OHS requirements including

safe manualhandling techniques

working safely with electricity and hazardous substances

principles of safe listening such as safeguards against hearing loss

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

record and mix at least two basic music demos

work cooperatively with performers to achieve the required effect

Context of and specific resources for assessment

Assessment must ensure

access to performers requiring a basic music demo

access to industrycurrent sound mixing equipment

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

observation or video recording of the candidate during recording and mixing sessions

evaluation of authenticated audio recordings where the candidate was responsible for recording and mixing music

written or oral questioning to test industry knowledge as listed in the required knowledge section of this unit

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUFSOUA Perform basic sound editing

CUFSOU204A Perform basic sound editing

CUSSOUA Assist with sound recordings

CUSSOU201A Assist with sound recordings

CUSSOUA Set up and disassemble audio equipment

CUSSOU303A Set up and disassemble audio equipment.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Relevant personnel may include:

artists, musicians and performers

audio and sound engineers

broadcasters

producers

post-production personnel

program managers

camera operators.

Purpose may include:

pitching a product at record labels

pursuing work at live music venues

getting work via live music or advertising agencies

getting air play on media outlets

accompanying a funding application

uploading onto music and/or social networking websites

developing media for band or solo artist websites

supporting applications for study and/or remote auditions

expanding a music portfolio

documenting a music project or other creative body of work.

Factors may include:

musical style

contractual arrangements

copyright

budget

timelines

availability of personnel, including:

musicians

sound recordists

sound mixers

post-production personnel

promotional materials

distribution strategies

recording location, including:

live music venue

recording studio

private residence

rehearsal requirements

number of recording sessions required

equipment requirements

hire of equipment or venue

instruments

props

costumes

make-up.

Method may include:

live to two-track stereo

live multi-tracking

multi-tracking with click

combination live recording and prerecorded samples

recording to analogue tape

recording to hard disk or digital tape

remixing existing music

video

using music production software for mixing and mastering.

Format may include:

compact disc (CD)

audio file formats for upload and distribution within virtual environments and/or onto relevant media players, such as:

MP3

WAV

AIFF

audiotape

video:

digital (high resolution)

digital (compressed for online environment)

analogue.

Equipment may include:

digital audio workstation (DAW) with software, such as:

Pro Tools

Logic

Cubase

Ableton Live

Reason

Nuendo

Garage Band

Digital Performer

Soundscape

Sonic Studio

hard disk recorders

multi-track recorder

stereo recorders

microphones, such as:

dynamic

condenser

lavalier

shotgun

directional

radio

microphone stands

microphone accessories

microphone windscreens

headphones

amplifiers

speakers

mixing console/desk, including:

analogue

digital

digitally controlled analogue (hybrid)

effects rack

sequence sampler

cables and connectors.

Sonic effects may include:

change in pitch

change in speed

echo

pan

fade in and fade out

filter

invert

normalise

repeat

reverb

modulation

wahwah.

Signal processing may include:

amplification

compression

noise processing

spectrum signal processing

equalisation

time signal processing.

Documentation may include:

pre-mix scripts

mixing sheets

track sheets

cue sheets

dubbing sheets

queries

notes

manuals.

Work environment may include:

dubbing theatre

outside broadcast

post-production studio

recording studio

sound stage

home studio.