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Elements and Performance Criteria

  1. Prepare for installation of audio equipment
  2. Install audio equipment
  3. Align audio equipment
  4. Test audio equipment
  5. Disassemble audio equipment

Required Skills

Required skills

communication literacy and teamwork skills sufficient to

interpret and clarify written and verbal instructions

make verbal fault reports to appropriate personnel

interpret block diagrams of equipment and system setups

read and interpret sound documentation

read manufacturing specifications and installation manuals

work effectively in a team environment

initiative and enterprise skills in the context of applying criticallistening and auraldiscrimination skills when setting up audio equipment

numeracy skills sufficient to calculate duration and capacity of recording media

technical skills sufficient to

set up and disassemble audio equipment for playback mixing and recording in line with manufacturers manuals and OHS specifications

run and patch cables neatly and safely

test sound equipment in line with industry standards

planning and selfmanagement skills sufficient to

prioritise work tasks

meet deadlines

seek expert assistance when problems arise

problemsolving skills sufficient to identify typical faults that may occur in audioproduction environments

Required knowledge

basicaudio principles and practice including

range of microphones and contexts in which they are used

microphone characteristics eg frequency response sensitivity and polar patterns

effect of microphone placement on quality of sound

characteristics of sound in a range of environments

signaltonoise ratio signal phase and audio levelheadroom control

audible defects in analogue and digital technologies

features of mixers amplifiers speakers and effects racks

basic principles of acoustics including

frequency

pitch

amplitude

loudness

velocity

wavelength

acoustical phase

timbre

sound envelope

basic understanding of psychoacoustic principles including

spatial hearing

direct sound

early sound

reverberant sound

room design

techniques for installing aligning and testing audio equipment including

understanding electrical power eg voltage distribution phasing load and circuit breaking

knowledge of a range of sound equipment and associated operating principles eg level impedance phase and frequency

testing and tagging all electrical fittings in accordance with safety regulations

issues and challenges that typically arise in the context of setting up and disassembling audio equipment

OHS requirements including

licensing requirements for persons performing high risk work and entering building sites

safe manualhandling techniques

working safely with electricity and hazardous substances

principles of safe listening such as safeguards against hearing loss

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

install and disassemble audio equipment on at least three occasions

interpret sound plans

test equipment in line with production requirements

work cooperatively in a team environment

apply OHS procedures particularly in relation to working with electrical equipment and safe manual handling

Context of and specific resources for assessment

Assessment must ensure

access to a range of industrycurrent equipment as listed in the range statement

access to venues in which to install audio equipment

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

case studies and questioning to assess candidates understanding of OHS requirements

observation andor video recordings of the candidate installing testing and disassembling audio equipment

written or oral questioning to test knowledge of basic principles and techniques of installing and testing audio equipment

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUESOUC Repair and maintain audio equipment

CUESOU01C Repair and maintain audio equipment

CUFINDA Work effectively in the screen and media industries

CUFIND301A Work effectively in the screen and media industries

CUSINDA Work effectively in the music industry

CUSIND301A Work effectively in the music industry

CUSOHSA Follow occupational health and safety procedures

CUSOHS301A Follow occupational health and safety procedures

CUSSOUA Provide sound reinforcement

CUSSOU301A Provide sound reinforcement

CUSSOUA Record and mix a basic music demo

CUSSOU302A Record and mix a basic music demo.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Relevant personnel may include:

artists, musicians and performers

audio and sound engineers

audio and sound technicians

broadcasters

clients

directors

producers

photographers

post-production personnel

program managers

stage managers

sound designers and editors

sound effects personnel

video and sound recorders.

Sound equipment may include:

amplifiers

sound reinforcement systems, including:

front-of-house

stage foldback

limiters

compressors

effects rack

turntables

analogue to digital converters

cables

compact disc (CD) and digital versatile disc (DVD) players and burners

computer technology and associated software

digital and analogue recording devices:

hard disk recorder, e.g. digital audio workstation (DAW)

digital audiotape recorder, e.g. S-DAT and R-DAT

digital videotape recorder (DVTR)

mini disc recorder (MD)

modular digital multi-track recorder (MDM)

open-reel analogue audiotape recorder

digital audio players, such as:

iPod

MP3

headphones

microphones and accessories

mixing consoles and desks

monitors and speakers

signal processors and plug-ins

sequencers and samplers

musical instruments.

Productions may include:

live music or theatre performance

commercial

print advertisement

corporate video

feature film and/or video

filmed event and/or performance

interactive media product

internet production

electronic game production

music recording and/or video

promotional trailer

radio broadcast

television program

voice-over.

Documentation may include:

house plans

sound plans

line diagrams

installation schedules

artistic requirements

scripts

musical scores

dubbing sheets

technical/equipment manuals

enterprise operating procedures and standards

stage plans

sound plots

design, director's and sound specifications

production and venue requirements

production schedules

OHS requirements and instructions

manufacturer specifications

performers' requirements

fault report sheets.

Installation area may include:

stage

venues

auditorium

hotels

clubs

front of house.

Positioning microphones includes taking account of factors, such as:

ensuring that safety procedures are followed

organisational requirements

production requirements

ensuring optimum sound quality

ensuring that cabling is mechanically sound and does not transmit vibration to microphones.

Microphones may include:

boundary (PZM)

capacitor/condenser, such as:

electret

lavalier

mini microphone

transistor

tube

contact

digital

directional, such as:

single entry port

multiple entry port

multi/poly-directional

dual-element

dynamic, such as:

moving coil

ribbon

headset

lapel

low and/or high impedance

microphone systems, such as:

adaptive array

binaural

high definition

parabolic

surround sound

wireless

cordless

FM

radio transmitter

noise cancelling

shotgun.

Microphone accessories may include:

boom poles, including:

aluminium

carbon fibre

fisher

hand-held

perambulator

remote panner

tripod

cables, including:

balanced

unbalanced

clips

connectors, including:

female

male

XLR

housing

pop filters

shock mounts

stands, including:

desk

floor

gooseneck

windscreens.

Technical performance standards for lapel microphones may include:

ensuring that safety procedures are followed

positioning and connecting aerial optimised pick-up

choosing a transmitter frequency that minimises interference with nearby channels in the frequency band

ensuring that transmitters have appropriate sensitivity

rigging microphone within relevant constraints

ensuring that connection of aerial and related cabling is secure

ensuring that transmitter-receiver location is unobtrusive and comfortable for relevant personnel

ensuring that transmitter-receiver location produces optimum output

ensuring that interaction with relevant personnel is discreet, tactful and causes minimum disruption

ensuring that items that may negatively affect transmission are not present on relevant personnel.

Mechanical safety considerations may include:

observing OHS requirements when installing and checking equipment

checking that the position of microphones, mountings and other recording equipment is safe

using safety chains

laying cabling to avoid potential mechanical danger and to ensure safety.

Electrical safety considerations must include:

following OHS procedures when setting up and checking electrical equipment

checking that mains or generator supply is sufficient for maximum load requirements

ensuring that cables used are correctly rated, including three-phase cable to dimmers

laying cabling so that it does not obstruct the free movement of other equipment or endanger personnel

ensuring that maintenance of cabling and connectors meets OHS requirements

ensuring that all components of sound equipment are connected to the correct voltage supply

ensuring that distribution of electrical loading is within working limits

ensuring that all electrical fittings are tested and tagged in accordance with safety regulations.

Production requirements may include:

purpose and style of production

sound specifications

venue or location requirements

production schedule

organisational policies and procedures

legislative and/or organisational OHS requirements

manufacturer specifications

performers' requirements

resource constraints

length of the run of the production

attributions

audience

budget

confidentiality

content

contractual arrangements

copyright

deadlines

direct quotes

intellectual property

interviews.

Sound cues may be required for:

audience PA

effects

foldback to stage.

Packing sound equipment may involve:

ensuring that containers are suitable for the storage and carriage of the equipment in a safe and secure manner

ensuring that packing of hazardous items complies with current regulations

labelling containers accurately and clearly

checking containers for durability

ensuring documentation for packed equipment is accurate and legible

adhering to strict forward production timelines.

Work environment may include:

dubbing suite

on location, including interior and exterior

outside broadcast

post-production studio

recording studio

sound stage.