Elements and Performance Criteria
- Clarify scope of restoration project
- In consultation with relevant personnel confirm restoration requirements
- Ensure that documentation relevant to the project is available
- Where source materials are not supplied, liaise with relevant personnel to locate the most original, best quality recording to be restored
- Evaluate all recordings to be restored for auditioning purposes and technical selection as required
- Prepare source material for digital transfer
- If required, physically repair and clean source material in preparation for playback, taking great care not to damage the source material
- Select the most appropriate playback machine, taking into account the fragility of source material and the ability of the playback machine to provide the most authentic playback
- Set up playback paths and recording settings to ensure a flat, transparent, and where possible uncompressed file
- Set audio levels in line with technical parameters
- Make digital recording of source material
- Apply restoration techniques to audio tracks
- Select the most appropriate restoration equipment and tools for the job
- Commence restoration by applying manual restoration techniques to the most audible artefacts first, then moving onto less noticeable faults
- Following manual restoration, apply automated restoration processes as required
- Seek feedback on work in progress from relevant personnel and make adjustments
- Make a copy of restored audio tracks