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Elements and Performance Criteria

  1. Assess sound sources for simultaneous balance
  2. Assess the compatibility of sound sources for productions
  3. Discuss creative possibilities for achieving the simultaneous balance with relevant personnel
  4. Propose options for meeting production requirements to relevant personnel as required
  5. Collaborate effectively with others during the assessment process
  6. Identify creative and artistic possibilities
  7. Explore creative possibilities of sound sources and seek agreement on best options with relevant personnel
  8. Take account of relevant information contained in production documentation when developing options
  9. In consultation with relevant personnel ensure that the position and blend of sound sources meet artistic/creative requirements
  10. Direct the final mix
  11. Ensure that the relative levels of sound sources conform to loudness parameters
  12. Ensure that transitions between sound sources are technically accurate and artistically appropriate
  13. Adapt and adjust balance techniques to meet production requirements
  14. Confirm that the sound balance and characteristics of sound are artistically and technically appropriate
  15. Identify and remedy problems promptly as required to minimise disruption to the production process
  16. Ensure that the level of the composite signal is within technical limits and the desired dynamic range
  17. Work sensitively and constructively with relevant personnel to achieve best production outcomes
  18. Apply critical listening throughout production to ensure that sound quality meets production requirements
  19. Complete all work to meet production requirements and ensure that the work environment is cleaned and ready for the next user
  20. Evaluate completed audio master
  21. In consultation with relevant personnel identify aspects of the process of creating the final sound balance that worked well and those that could be improved
  22. Evaluate own role in operations and note areas for improvement
  23. Provide feedback to team members on their performance as required
  24. Document evaluation of operations in line with enterprise procedures

Required Skills

Required skills

literacy skills sufficient to

read and interpret recording documentation

write reports documenting the production process

initiative enterprise and creativity in the context of

listening critically to continuously evaluate and adjust the sound balance

using aural imagination to develop coherent and innovative artistic sound outcomes within the scope of productions

accurately identifying and enhancing the characteristics of sound sources

listening critically to the creative and technical work of others

communication skills sufficient to

communicate the production vision and concept within the constraints of the production requirements

provide feedback to recording personnel on appropriate recording and production techniques

clearly explainoffer suitable alternatives when production recording difficulties cannot be resolved within operational constraints

planning and organisational skills sufficient to prioritise work tasksand meet deadlines

problemsolving skills sufficient to promptly and effectively rectify performance performance environment and other technical issues that may affect the achievement of a simultaneous sound balance

teamwork skills sufficient to work cooperatively with and provide leadership to personnel involved in creating the final sound balance

technology skills sufficient to work with a variety of sound recording production and playback equipment

selfmanagement skills sufficient toprovide appropriate and timely documentation

Required knowledge

welldeveloped understanding of psychoacoustic principles including

spatial hearing

direct sound

early sound

reverberant sound

studio and control room design

ergonomics

industry knowledge including

varied characteristics of sound in a range of recording and performance environments

operational knowledge of a range of sound recording production and playback equipment

understanding compatibility in mono stereo or multichannel systems

principles and techniques involved in achieving a simultaneous balance

computer technologies relevant to sound production

styles of musical interpretation and sound production

relevant musical terminology

welldeveloped knowledge of recording techniques such as

microphone and instrumentvoice placement

application of special effects

mixing sound sources

issues and challenges that typically arise in the context of creating a final sound balance

OHS principles of safe listening including safeguards against hearing loss

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

create final sound balances on at least two occasions that

demonstrate welldeveloped criticallistening and auraldiscrimination skills

meet creative and artistic requirements

work creatively collaboratively and constructivelyin a team environment including providing leadership to others

Context of and specific resources for assessment

Assessment must ensure

access to a range of industrycurrent equipment as listed in the range statement

access to a range of productions

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

evaluation of final sound balances created by candidate and of their quality in terms of meeting specifications

written or oral questioning to test knowledge as listed in the required knowledge section of this unit

case studies to assess ability to create final sound balances for different types of productions or events

authenticated recordings of productions where the candidate created the final sound balance

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUSSOUA Record sound

CUSSOU401A Record sound

CUSSOUA Perform advanced sound editing

CUSSOU403A Perform advanced sound editing

CUSSOUA Mix recorded music

CUSSOU405A Mix recorded music

CUSSOUA Develop sound designs

CUSSOU501A Develop sound designs

CUSSOUA Implement sound designs

CUSSOU503A Implement sound designs.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Sound sources may include:

dialogues and voice-overs

additional dialogue recording (ADR)

special effects

music

walla

ambient sound

atmospheric sound

foley.

Productions may include:

live performance or event

commercial

print advertisement

corporate video

feature film and/or video

filmed event and/or performance

interactive media product

internet production

electronic game production

music recording and/or video

promotional trailer

musical theatre

dance

radio broadcast

short film and/or video

television program

training film and/or video

voice-over.

Relevant personnel may include:

clients

artists, musicians and performers

directors

producers

post-production personnel

program managers

sound designers and editors

video and sound recorders

audio personnel:

sound engineers

sound technicians

sound editors

sound designers

sound effects personnel

post-production editors

foldback mixers

front-of-house mixers

recordists

re-recording mixers

audio stagehands

broadcasters

broadcast engineers

stage managers

floor managers

film/video crew.

Production requirements may include:

technical

creative

artistic

attributions

audience

budget

confidentiality

content

contractual arrangements

copyright

deadlines

direct quotes

duration

intellectual property

interviews

location

purpose

schedule

style.

Documentation may include:

pre-mix scripts

mixing sheets

track sheets

cue sheets

dubbing sheets

queries

notes

manuals.

Characteristics of sound may include:

level

frequency

mono/stereo/5.1 surround sound

spatial position/image

balance

tonal quality

perspective

acoustic

dynamic range.

Work environment may include:

dubbing theatre

on location, including interior and exterior

outside broadcast

post-production studio

recording studio

sound stage.