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The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included. |
Sources may include: | dancefilm, webhistorical textsimages, objectsjournal articles |
| oral historiesperformances, presentations religious and spiritual textsscientific textssecondary textsstoriestechnical or medium specific informationthe writings of cultural theorists and philosophers |
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Information may relate to: | aestheticscriticismcultural issuesgender and identity issueshistories of art, craft and designland and placelinguisticsmyth and legendsnew technologiesphilosophypoliticssigns and symbolsspiritual concernstechnical aspects of performances, presentations world histories. |
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Cultural work(s) may involve work(s) from one, or more than one, area of the arts including: | arts administrationdancedesignmultimediamusicperforming artsphotoimagingvisual arts and contemporary craftwriting. |
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Exploring potential new and alternative sources of information involves accessing information in a culturally appropriate way and may involve: | attendance at performancesinterviews with innovative arts practitioners participation in performancesvisits to trade fairs, galleries, special events, e.g. biennial exhibitions, laboratories. |
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Formal and informal research techniques may include: | analysiscomparing informationcritical discoursediscussionjudgementnote taking, listingobservationreflectionsummation. |
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Organising research materials and findings may involve: | chartsdata basediagramsfilesindicesmind mapssketches. |
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Evaluating may include: | comparingconsidering meritcontrasting critiquing discussion and debatejudgingreflecting. |
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Other influences may include: | cultural practices and heritagelocal traditions and eventsmediapolitical frameworksrelated discoursestechniquestemporal considerationsworks of other artists. |
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Developing substantiated positions in relation to history, theory and other influences involves examination and justification from a range of viewpoints within: | culture ecologygender philosophypoliticssocietyspirituality. |
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Written or spoken texts may include: | academic textsart talks or presentationsexhibition/performance programs/brochures/flyersgallery/museum/institutional/studio guiding presentationsjournal articlesmagazine or periodical articlesnewspaper reviewsseminar presentations. |
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Appropriate text specifications may include: | conventions of art criticismlanguage, tone and grammar appropriate to written or spoken textslength, layout and format conventions of relevant written or spoken texts. |
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Audience requirements may cover the need to take account of the level of sophistication or understanding of cultural work(s) of: | academic and teaching staffgallery/museum/organisation/theatre/studio visitorslisteners peersreaders. |
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Purpose requirements may cover: | critical review of work(s)examination of work as an example of specific period or approach or style or school of cultural work(s) or as prototype or derivative pieceexamination of work in the context of other practitioners' work(s)examination of work in the context of selected practitioner's other work(s) or period(s)judgement of value of cultural work(s). |
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Cultural protocols may include: | extent to which reference to the work may be used in presentation modes (written or spoken)intellectual property moral rights and copyright requirementspermission to refer to and use the work(s), including systems for the administration of copyright of images protocols for the reference of work(s) or practitioner(s) by others. |
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Updating and expanding knowledge of history and theory may involve: | discussions with innovative practitioners in relevant areas of arts practiceusing the Internetvisits to exhibitions, events, performances, presentations, studios, laboratories, manufacturers. |
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