Techniques for the production of a performance work may include: | the selection of a range of techniques from any medium or art form, or a combination of art forms, including:ceramicsdancedigital contentdramatic artdrawingtextile artglassmovementpaintingpantomimephotographyprinting sculpturesound, including electronic, instrumental, natural and vocal. |
Tools and equipment may include: | cameras, including:35mm cameradigital cameracompressorscomputercuttersediting suiteelectrical cablingengraversenlargers and other wet darkroom equipmentgrinding and polishing equipmenthammersloomsmicrophonesmonitorsmoulds and decklesmultiple screenspliersprotective clothingscannersoftware programssound recording and synthesising equipment and cablingspeakersstage lighting and cablingvacuum tablevatsVHS and DVD. |
Materials may include: | boltsdarkroom chemicals and emulsionsfilmgluesmake-upnailsscrewscharcoalclaycoloured pencilsextenders and bindersgessoglassinkslatexmetalsnatural and synthetic fibrespastelsperspexplasticsrubbersandtemperawater and oil-based paintswood. |
Safety and sustainable considerations may include: | audience safetyfederal, state and territory legislation, regulations and standardspersonal protectionrecyclingsafe disposal of waste. |
Research may involve: | approaching individuals with relevant expertiseattending lectures and talksconducting material and technical experiments and testssearching the internetseeking out information in books, journals and newspapersvisiting exhibitions, museums and theatres. |
Intellectual property requirements may relate to: | extent to which the work may be usedform of acknowledgement or creditprocedures for seeking permission to use the work of others, including systems for the administration of copyrightprotocols for the adaptation of work by others. |
Ideas may be influenced by: | artistic aspirationscurrent capability with techniqueshistorical and theoretical contextssubject matter or theme for the work, such as: built environmentland and placenatural worldpolitical, cultural and social issuesthe bodyspiritual concerns. |
Professional potentialmay relate to: | cost of productionexistence of an established markethow to promote or sell the work market trendsprofessional development. |
Criteria may relate to: | audienceclient and user expectationsdurationenvironment in which performance art will be viewed/performedmaterialsquality of final producttechniquestimelinestoolsweather considerations. |
Process followed to refine conceptual visions may include: | adjustment to subject matter or themeadjustment to take account of elements and principles of designadjustment to use extended capabilities of the technique. |
Sources of supply may include: | commercial outletsfound objects and materialsmanufacturing or factory wastenature. |
Cost and other constraints may relate to: | availability of materials and toolsavailability of spacebudgetingrequirements to seek approvalsponsorshiptimeframe. |
Presentation considerations may include: | availability of spacecostpractical considerationspresentation contexttimeframe. |