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Elements and Performance Criteria

  1. Select domestic photoimaging services to market to public clients.
  2. Liaise with client and prepare for shoot.
  3. Shoot images, proof and optimise work to client specifications.
  4. Wrap up and review shoot.

Required Skills

Required skills

photoimaging skills sufficient to

create meaningful images in privatepublic spaces in a respectful manner

filefilm optimisationcreationarchive to domestic photoimaging industry standards

use industry standard digital media design and presentation technologies

research skills sufficient to

compare contemporary styles and conceptualaesthetic approaches to domestic photoimaging

maintain professional practice arrangements for domestic photoimaging

critical thinking skills sufficient to

recogniseaddress barriers to effective photoimaging workflow

employ reflective questioning to analyse performance

literacy skills sufficient to develop and interpret business documents and contracts

numeracy skills sufficient to

maintain contractualfinancial records for businesstaxation purposes

prepare budgets quotations and invoices for clients

planning and organising skills sufficient to

coordinate activities of assistants and production teams

interpret and respond to photoimaging briefs

organise shoots on locationin studio and prepare shoot management timelines

communication skills sufficient to

develop rapport with subjects and recogniseovercome tension and nervousness that may arise from subjects having photographs taken

empathetic skills in dealing with photoimaging subjects

establishnourish industry links with suppliers contractors and employees

negotiate pricesfair exchange of services with clients and project stakeholders

relate to individuals and groups from a diverse range of age groups religious racial and cultural areas

resolve complaintsdisputes

seek feedback from clients on shoot progress and image selection

work effectively with diversity and deal empathetically with subjects

learning skills sufficient to review personal performance within shoot context

problem solving skills sufficient to identifyrectify equipment malfunctionfailure

teamwork skills sufficient to work with a production team

technology skills sufficient to check and reinstate equipment studio and props

Required knowledge

domestic photoimaging practices and products

business practice eg partnerships contracts intellectual property copyright legal moral insurance financial budget political OHS licences and permits

relationship between photoimaging practitioner and clients

selection testing and evaluation of technology to ascertain suitability for domestic production purposes

traditions and contemporary issues that inform domestic photoimaging practice

working with government institutionsregulations relating to domestic photoimaging practice

Evidence Required

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the following is essential

ability to apply a typical workflow in domestic photoimaging professional practice

ability to interact and liaise with clients and associated professionals

ability to apply business coordination and negotiation skills to own photoimaging work practices

ability to apply technical and imaging skills including capturingoptimising domestic images

Context of and specific resources for assessment

Assessment must ensure

access to a range of photoimaging production equipment employed in a domestic context eg cameras computers software printers darkrooms studios lighting and accessories

access to a range of locations and studios for domestic photoimaging shoots

access to sources of information to research contemporary styles and conceptualaesthetic approaches to domestic photoimaging

opportunity for collaboration with or in allied industries eg designers fashion stylists makeup artists hairdressers processing labsprinters bookbinders and presentation specialists

access to appropriate learning and assessment support when required

the use of culturally appropriate processes and techniques appropriate to the oracy language and literacy capacity of the assessee and the work being performed

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge The following examples are appropriate for this unit

direct questioning combined with review of portfolios of evidence and third party workplace reports of onthejob performance by candidate

direct observation of candidate applying a typical workflow in domestic photoimaging professional practice

case studies to assess candidates ability to research contemporary styles and conceptualaesthetic approaches to domestic photoimaging

participation inobservation of professional domestic photographyphotoimaging awards

review of photoimaging products against domestic industry standards and service specifications

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUVPHIA Research role and use of the photoimage in visual communication

CUVPHI501A Research role and use of the photoimage in visual communication

CUVPHIA Research and exploit photoimaging trends

CUVPHI502A Research and exploit photoimaging trends

CUVPHIA Explore the descriptive and emotive nature of photo lighting

CUVPHI503A Explore the descriptive and emotive nature of photo lighting

CUVPHIA Investigate and exploit innovative imaging options

CUVPHI504A Investigate and exploit innovative imaging options

CUVPHIA Produce an innovative presentation package of professional work

CUVPHI505A Produce an innovative presentation package of professional work

CUVPHIA Employ colour management in a digital imaging workplace

CUVPHI514A Employ colour management in a digital imaging workplace.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Sources of information may include:

contemporary media (newspapers, television, magazines)

internet sites

interviews

personal experiences

professional awards

professional libraries

workshops, seminars, conferences.

Domestic subjects may include:

adolescents

babies and children

celebration events (parties, family gatherings)

cultural and religious occasions

engagement couples

formals and debutantes

glamour and boudoir

graduations

groups (school, social, sporting)

personal portraiture

pregnant mothers

seniors.

Studio style may include:

unique and recognisable photographic and print/album look, including factors such as:

depth of field

exposure compensation

framing/cropping

lens focal length

point of view (POV) photography

post-capture image treatment.

Domestic photoimaging services may include

digital files (for use on the internet or inclusion in personal digital media presentations/documents)

DVDs and digital media presentations

framed/loose/mounted prints

passports/ID

portraits

individuals

couples

groups

prints in/for albums and books.

Professional practice arrangements may include:

contracts

copyright, licensing and intellectual property rights

creative product archive/digital asset management

financial management

insurance (personal public risk, accident and sickness, equipment, completed creative product, transportation and storage)

licences and permits

model/talent and property releases

moral and ethical codes of practice

OHS

project budget management.

Appropriate person/s may include:

members of production team

members of relevant professional associations

mentors/peers

practising domestic photographers, photoimagists or members of allied fields.

Shoot responsibilities may include:

confirming legal aspects of the shoot

controlling the creative product

controlling the shoot

negotiating and signing contract

paying bills

selecting locations, props, backgrounds.

Shoot requirements may include:

analogue or digital capture technologies and supporting accessories

hire options for equipment

model/s, props, backgrounds

photoimaging lighting

ambient

mixed lighting

supplementary (electronic flash/tungsten/fluorescent/other)

processing requirements for image work created

production team

studio, location (internal/external)

the creative product (how it is to be used/what the client specifies)

timelines for stages of domestic workflow

transportation of equipment.

Shoot preparations may include:

assemble and check all equipment

brief assistants/members of creative team

conceptualise involvement in creative process

confirm time/place/requirements for all aspects of the shoot that will be supplied by others

undertake weather check for location shoots.

Shoot context may include:

application of teamwork and management skills conducive to a creative environment

colour management specifications

format/orientation of image

technical requirements of creative product

developing rapport with subject/s

overcoming client tension/nervousness that may arise from subject/s having photograph/s taken

the studio style

timelines.

Production team may include:

assistants

child minders

make-up and hairdressing

post-production coordinator/s

stylists.

Proof images may include:

presenting proofs in a viewing session:

as contact sheets or proof prints to appropriate size/s

as digital images (via camera display, on a computer screen and/or projected by a data projector)

as projected transparencies

proofing method/s.

Optimise images may include:

digital files as specified:

bit depth

colour space

digital asset management

file dimensions/size in pixels

file format (e.g. JPEG, TIFF, PSD, PDF)

file naming, captions and inclusion of file information data

multiple file formats

transfer media (e.g. CD, DVD, internet)

uncompressed/compressed files

maintain quality/integrity of the digital data

process RAW/JPEG files

retouch, enhance, photo-montage (as requested).

Service suppliers may include:

bookbinders and album-makers

digital media specialists

external printers and framers

in-house printers and framers.