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Elements and Performance Criteria

  1. Prepare sculpture resources
  2. Use and test sculpture techniques
  3. Make plans to develop skills

Required Skills

Required skills

communication skills to

discuss the process for producing sculptures with others

understand and follow instructions

learning skills to

improve techniques for producing sculptures through practice

respond appropriately to feedback

literacy skills to read product and equipment safety labels

numeracy skills to calculate quantities of materials

planning and organising skills to prepare and set up resources and work space

Required knowledge

materials tools and equipment commonly used for making sculptures

major styles of sculpting and the work of key practitioners relevant to individual area of interest

typical work space and equipment requirements for the production of different types of sculpture work

cleaning and maintenance techniques for tools and equipment used in making sculptures

elements and principles of design – what they are and what they mean

intellectual property considerations for any person making creative work

ways of minimising waste in the use of sculptural tools materials and equipment

OHS procedures that apply to sculpture work

Evidence Required

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

produce at least one sculpture where the techniques and materials support the idea for the work

apply knowledge of sculptural tools equipment and materials

Context of and specific resources for assessment

Assessment must ensure access to

equipment and materials used in sculptural work

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge The following examples are appropriate for this unit

direct observation of sculptural work in progress

questioning and discussion of the candidates intentions and work outcome

review of portfolios of evidence

review of thirdparty reports from experienced practitioners

Assessment methods should closely reflect workplace demands eg literacy and the needs of particular groups eg people with disabilities and people who may have literacy or numeracy difficulties such as speakers of languages other than English remote communities and those with interrupted schooling

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUVPRPA Make simple creative work

CUVPRP201A Make simple creative work.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Tools and equipmentmay include:

carving tools

hammers

heat guns

knives

nails

power tools

protective clothing

saws

screwdrivers

screws

spatulas.

Materials may include:

clay

drawing materials

flexible industrial materials

flexible natural materials

found objects

glues

blocks

latex

metal and alloys

oxidising agents and other patina agents

paint

plaster

rope

rubber

soap stone

stains

string

thread

wax

wire

wood and wood products.

Workplace procedures may relate to such things as:

cost control

process-specific procedures

recycling

reporting

safety

use of materials.

Key peoplemay include:

arts practitioners

mentors

supervisors

teachers.

Sculpturemay be:

abstract

assembled

contemporary

free-standing

kinetic

relief

representational

traditional.

Ideas may be influenced by:

current capability with techniques

historical and theoretical contexts

subject matter or theme for the work, such as:

built environment

land and place

natural world

political, cultural and social issues

the body

spiritual concerns.

Process used to test techniques may include:

experimenting directly with work in progress

exploring techniques by making practice pieces

making samples using nominated techniques.

Techniques would generally be quite limited in nature and may include:

assemblage

carving

casting

modelling

mould making.