List the assessment methods to be used and the context and resources required for assessment. Copy and paste the relevant sections from the evidence guide below and then re-write these in plain English.
ELEMENT | PERFORMANCE CRITERIA |
Elements describe the essential outcomes. | Performance criteria describe the performance needed to demonstrate achievement of the element. |
1. Plan audition program | 1.1 Confirm audition requirements in consultation with appropriate people 1.2 Research the background and business of auditioning body 1.3 Plan program to suit auditioning body’s requirements 1.4 Prepare a varied program aligned to the technical and stylistic requirements of audition, and that demonstrates own strengths in performance 1.5 Observe all protocols, either specifically prescribed by auditioning body or otherwise appropriate to context 1.6 Confirm arrangements with accompanist or ensemble to allow maximum rehearsal time 1.7 Test the audition venue and facilities in advance, or inspect to assess warm-up possibilities where possible 1.8 Organise portfolio to present to auditioning body in required format |
2. Prepare for audition | 2.1 Purchase or hire scores, sheet music, recordings or other materials necessary for the program 2.2 Comply with copyright and performing rights requirements for music to be performed at audition 2.3 Check and arrange that instruments and/or accessories to be used in the audition are in optimum working order 2.4 Check the tuning of instruments in advance, and take measures to enable ease and accuracy of tuning both in preparation for, and during, the audition 2.5 Confirm that dress, stagecraft presentation and equipment are appropriate to the audition venue and musical context 2.6 Inspect and try out instruments and/or equipment where possible in advance of the audition when they are to be supplied by the auditioning body at the venue |
3. Present audition | 3.1 Arrive at the venue in time to allow for warm up and registration procedures 3.2 Use relaxation techniques to overcome performance anxiety as required 3.3 Check that required resources are on hand and available in a manner that allows the audition to proceed without undue interruption 3.4 Perform audition program, demonstrating mastery of technical and expressive musicality of the pieces 3.5 Apply music knowledge and listening skills to adjust performance intonation, musical nuance and responsiveness to fellow performers appropriately throughout the audition 3.6 Listen carefully and respond to instructions given during the audition, including cutting off the performance if and when instructed 3.7 Maintain a positive and courteous manner with auditioner and fellow performers 3.8 Answer questions and/or present portfolio as required |
4. Follow up audition | 4.1 Confirm an expected time for hearing the audition outcome at the completion of the audition 4.2 Obtain details of contract interview, and follow up accordingly where result is successful 4.3 Follow up with a courteous request for appraisal and further advice where result is unsuccessful 4.4 Evaluate own audition performance and feedback received to inform future audition preparation and performance 4.5 Send follow up correspondence after each audition whether successful or not to communicate appreciation of the opportunity and to encourage further opportunities |
Evidence of the ability to:
prepare an audition program that meets the requirements of an auditioning body
perform at an audition on at least two occasions demonstrating:
technical proficiency in the pieces
adjusting intonation and nuance during performance
ability to listen and respond to instructions or questions
follow up and evaluate an audition result.
Note: If a specific volume or frequency is not stated, then evidence must be provided at least once.
To complete the unit requirements safely and effectively, the individual must:
describe the main requirements for planning, preparing and presenting at an audition
explain performance and audition protocols
describe typical format for a portfolio
outline challenges that arise in the context of presenting a live audition program, and explain how they might be overcome
outline copyright and performing rights requirements relevant to auditions.