The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Maintain a physical conditioning program
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In consultation with teachers or mentors, set realistic physical conditioning goals aimed at improving own dance technique Completed |
Evidence:
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Use a range of techniques to improve stamina, strength and flexibility Completed |
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Identify risk factors that may inhibit the achievement of goals and seek professional advice as required Completed |
Evidence:
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Take fatigue and personal limitations into account when undertaking physical conditioning program Completed |
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Observe safe dance practice by performing warm-up and warm-down activities in conjunction with dance activities Completed |
Evidence:
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Practise ballet technique of increasing difficulty
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Apply increasingly difficult ballet techniques across each section of class work Completed |
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Develop increasingly complex performance attributes Completed |
Evidence:
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Show developed strength and complexity in footwork, including pointe work as required Completed |
Evidence:
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Execute complex variations of ballet repertoire with accuracy Completed |
Evidence:
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Exhibit physical learning and adaptability to incorporate unseen combinations with speed and verve across different teaching methods Completed |
Evidence:
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Practise solos from classical ballet repertoire
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Analyse the context of chosen solo pieces Completed |
Evidence:
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Display complex variations, repertoire and technical articulation Completed |
Evidence:
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Convey a high level of spatial awareness appropriate to solo work Completed |
Evidence:
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Accomplish solo work with developing musical individuality and expression Completed |
Evidence:
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Present variations and repertoire with a high level of stage presence and confidence across ballet styles and genres Completed |
Evidence:
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Reveal increasing levels of muscularity, strength and stamina in gender-specific vocabulary as required Completed |
Evidence:
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Apply technique in performances
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Undertake preparations appropriate to performance contexts Completed |
Evidence:
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Ensure that personal presentation is appropriate to performance contexts Completed |
Evidence:
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Prepare for competitions and auditions as required Completed |
Evidence:
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Apply performance psychology techniques to preparations Completed |
Evidence:
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Rehearse solo dance sequences to be performed Completed |
Evidence:
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Maintain focus to produce solo performances that show well-developed rhythm and musicality Completed |
Evidence:
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Convey choreographic intent of dance through expression and precise execution of ballet dance techniques Completed |
Evidence:
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Contribute to debriefing sessions to evaluate the quality of performances and to discuss ways of improving individual and ensemble technique Completed |
Evidence:
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Maintain expertise in solo ballet techniques
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Apply professional work ethic to practice and performance activities Completed |
Evidence:
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Incorporate injury-prevention techniques into dance and movement activities Completed |
Evidence:
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Use feedback from others to identify and develop ways to improve own ballet dance technique and group work Completed |
Evidence:
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Regularly view performances by industry practitioners as a way of sourcing new ideas, identifying trends, maintaining motivation, and improving own technique Completed |
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Incorporate ballet terminology and history into discussions, and practice and performance activities Completed |
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