NTISthis.com

Evidence Guide: CUAMCP601 - Extend techniques for arranging music

Student: __________________________________________________

Signature: _________________________________________________

Tips for gathering evidence to demonstrate your skills

The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!

From the Wiki University

 

CUAMCP601 - Extend techniques for arranging music

What evidence can you provide to prove your understanding of each of the following citeria?

Set professional development goals

  1. Listen to and critique recordings of own arrangements with appropriate people
  2. Evaluate and discuss factors that contribute to excellence in music arranging
  3. Listen to and evaluate the work of master composers and arrangers, and identify techniques that could be applied to own practice
  4. Develop networking strategies to cultivate relationships that will enhance own professional practice
  5. Document professional development goals, and establish criteria for monitoring and evaluating own skill development
Listen to and critique recordings of own arrangements with appropriate people

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Evaluate and discuss factors that contribute to excellence in music arranging

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Listen to and evaluate the work of master composers and arrangers, and identify techniques that could be applied to own practice

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Develop networking strategies to cultivate relationships that will enhance own professional practice

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Document professional development goals, and establish criteria for monitoring and evaluating own skill development

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Practice to refine techniques

  1. Devise a practice plan that incorporates goals for refining arranging techniques
  2. Seek feedback from others and critically review own arrangements
  3. Experiment with ways of improving own arrangements
  4. Discuss revised arrangements with peers and/or mentors, and use their feedback to inform continuous improvement strategies
Devise a practice plan that incorporates goals for refining arranging techniques

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Seek feedback from others and critically review own arrangements

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Experiment with ways of improving own arrangements

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Discuss revised arrangements with peers and/or mentors, and use their feedback to inform continuous improvement strategies

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Arrange music

  1. Seek music arranging work that extends own creative practice
  2. Generate a range of musical ideas or starting points in response to briefs
  3. Experiment with options for realising musical ideas and refine in discussion with appropriate people
  4. Apply a wide range of arranging techniques to organise musical elements into working versions of musical pieces
  5. Obtain copyright clearances and address intellectual property rights as required
  6. Listen to and evaluate work in progress with appropriate people, and seek creative and technical feedback
  7. Incorporate ideas and suggestions into final arrangements
  8. Attend rehearsals or performance workshops where arrangements are being played, and make adjustments to arrangements as required
  9. Present all arrangements in required format by agreed deadline
Seek music arranging work that extends own creative practice

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Generate a range of musical ideas or starting points in response to briefs

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Experiment with options for realising musical ideas and refine in discussion with appropriate people

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Apply a wide range of arranging techniques to organise musical elements into working versions of musical pieces

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Obtain copyright clearances and address intellectual property rights as required

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Listen to and evaluate work in progress with appropriate people, and seek creative and technical feedback

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Incorporate ideas and suggestions into final arrangements

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Attend rehearsals or performance workshops where arrangements are being played, and make adjustments to arrangements as required

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Present all arrangements in required format by agreed deadline

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Review own skill development

  1. Compare work against previous arrangements to assess development of techniques and ideas
  2. Evaluate level of improvement in own arranging techniques against agreed criteria
  3. Seek feedback on arrangements from appropriate personnel, and incorporate their suggestions and ideas into own future professional development strategies
Compare work against previous arrangements to assess development of techniques and ideas

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Evaluate level of improvement in own arranging techniques against agreed criteria

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Seek feedback on arrangements from appropriate personnel, and incorporate their suggestions and ideas into own future professional development strategies

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Assessed

Teacher: ___________________________________ Date: _________

Signature: ________________________________________________

Comments:

 

 

 

 

 

 

 

 

Instructions to Assessors

Evidence Guide

ELEMENT

PERFORMANCE CRITERIA

Elements describe the essential outcomes.

Performance criteria describe the performance needed to demonstrate achievement of the element.

1. Set professional development goals

1.1 Listen to and critique recordings of own arrangements with appropriate people

1.2 Evaluate and discuss factors that contribute to excellence in music arranging

1.3 Listen to and evaluate the work of master composers and arrangers, and identify techniques that could be applied to own practice

1.4 Develop networking strategies to cultivate relationships that will enhance own professional practice

1.5 Document professional development goals, and establish criteria for monitoring and evaluating own skill development

2. Practice to refine techniques

2.1 Devise a practice plan that incorporates goals for refining arranging techniques

2.2 Seek feedback from others and critically review own arrangements

2.3 Experiment with ways of improving own arrangements

2.4 Discuss revised arrangements with peers and/or mentors, and use their feedback to inform continuous improvement strategies

3. Arrange music

3.1 Seek music arranging work that extends own creative practice

3.2 Generate a range of musical ideas or starting points in response to briefs

3.3 Experiment with options for realising musical ideas and refine in discussion with appropriate people

3.4 Apply a wide range of arranging techniques to organise musical elements into working versions of musical pieces

3.5 Obtain copyright clearances and address intellectual property rights as required

3.6 Listen to and evaluate work in progress with appropriate people, and seek creative and technical feedback

3.7 Incorporate ideas and suggestions into final arrangements

3.8 Attend rehearsals or performance workshops where arrangements are being played, and make adjustments to arrangements as required

3.9 Present all arrangements in required format by agreed deadline

4. Review own skill development

4.1 Compare work against previous arrangements to assess development of techniques and ideas

4.2 Evaluate level of improvement in own arranging techniques against agreed criteria

4.3 Seek feedback on arrangements from appropriate personnel, and incorporate their suggestions and ideas into own future professional development strategies

Required Skills and Knowledge

ELEMENT

PERFORMANCE CRITERIA

Elements describe the essential outcomes.

Performance criteria describe the performance needed to demonstrate achievement of the element.

1. Set professional development goals

1.1 Listen to and critique recordings of own arrangements with appropriate people

1.2 Evaluate and discuss factors that contribute to excellence in music arranging

1.3 Listen to and evaluate the work of master composers and arrangers, and identify techniques that could be applied to own practice

1.4 Develop networking strategies to cultivate relationships that will enhance own professional practice

1.5 Document professional development goals, and establish criteria for monitoring and evaluating own skill development

2. Practice to refine techniques

2.1 Devise a practice plan that incorporates goals for refining arranging techniques

2.2 Seek feedback from others and critically review own arrangements

2.3 Experiment with ways of improving own arrangements

2.4 Discuss revised arrangements with peers and/or mentors, and use their feedback to inform continuous improvement strategies

3. Arrange music

3.1 Seek music arranging work that extends own creative practice

3.2 Generate a range of musical ideas or starting points in response to briefs

3.3 Experiment with options for realising musical ideas and refine in discussion with appropriate people

3.4 Apply a wide range of arranging techniques to organise musical elements into working versions of musical pieces

3.5 Obtain copyright clearances and address intellectual property rights as required

3.6 Listen to and evaluate work in progress with appropriate people, and seek creative and technical feedback

3.7 Incorporate ideas and suggestions into final arrangements

3.8 Attend rehearsals or performance workshops where arrangements are being played, and make adjustments to arrangements as required

3.9 Present all arrangements in required format by agreed deadline

4. Review own skill development

4.1 Compare work against previous arrangements to assess development of techniques and ideas

4.2 Evaluate level of improvement in own arranging techniques against agreed criteria

4.3 Seek feedback on arrangements from appropriate personnel, and incorporate their suggestions and ideas into own future professional development strategies

Evidence of the ability to:

practice, plan and monitor progress in own professional skill development

arrange, in response to different briefs, a selection of musical pieces that demonstrate advanced skills in arranging techniques

evaluate own arrangements, and seek and use feedback from others to extend arranging skills.

Note: If a specific volume or frequency is not stated, then evidence must be provided at least once.

To complete the unit requirements safely and effectively, the individual must:

explain factors and techniques that contribute to excellence in music arranging

explain music and other criteria that might be used to measure skill development

analyse issues and challenges that typically arise in the context of extending techniques for arranging music, and explain how they may be overcome.