The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Prepare for rehearsals
|
|
Confirm rehearsal requirements and performance outcomes with relevant people Completed |
Evidence:
|
Confirm performance repertoire, materials and equipment required at rehearsals Completed |
Evidence:
|
Confirm that duration of rehearsals and planned breaks allow for the health and safety needs of performers Completed |
Evidence:
|
Check that venue facilities and equipment provide an environment that is safe and conducive to performance Completed |
Evidence:
|
Discuss and negotiate changes to rehearsal arrangements with relevant people as required Completed |
Evidence:
|
Prepare own performance for rehearsal in private practice
|
|
Identify and implement strategies for developing mastery of technical and musical demands of own parts of selected music Completed |
Evidence:
|
Allocate sufficient private practice time to prepare individual performance to the required standard Completed |
Evidence:
|
Employ practice drills to develop proficient sight reading skills to the required standard where required Completed |
Evidence:
|
Identify and remedy areas of deficiency in the performance repertoire Completed |
Evidence:
|
Participate in rehearsals
|
|
Attend rehearsals punctually with required materials Completed |
Evidence:
|
Respond promptly and accurately to directions as required Completed |
Evidence:
|
Maintain eye contact with the director and/or other ensemble players to take and give cues Completed |
Evidence:
|
Discuss stylistic and interpretive questions at appropriate times and in an appropriate manner so as to maintain the flow of the rehearsal and quality of performance Completed |
Evidence:
|
Raise and resolve technical or other problems relevant to achievement of rehearsal outcomes with appropriate people Completed |
Evidence:
|
Incorporate relevant advice about own playing as required to advance quality in performance Completed |
Evidence:
|
Perform to the required standard in rehearsal
|
|
Interpret and integrate own part within overall presentation to achieve appropriate balance and musical performance outcomes in rehearsals Completed |
Evidence:
|
Contribute to a shared response to work, and adjust playing to the performing group style Completed |
Evidence:
|
Apply listening skills to evaluate and adjust own playing or singing and contribution to the performing group and context as required Completed |
Evidence:
|
Respect the working methods, personalities and special needs and contribution of other performers Completed |
Evidence:
|
Use energy during the rehearsal to enable sustained input and consistent performance quality Completed |
Evidence:
|
Apply music knowledge to enhance own performance and that of the group Completed |
Evidence:
|
Contribute to a rehearsal culture
|
|
Prepare own instrument or voice, including warm up routines, music and equipment in time to meet the demands of the rehearsal schedule Completed |
Evidence:
|
Establish and maintain empathy and rapport in performance with all members of the group to advance performance outcomes Completed |
Evidence:
|
Refine own interpretation through appropriate interaction with other performance participants Completed |
Evidence:
|
Contribute to group discussions and evaluations to encourage artistic commitment Completed |
Evidence:
|