The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Perform warm-up routine
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Check instrument or voice and other equipment required for the performance to ensure their reliability in performance Completed |
Evidence:
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Tune instrument, liaising with other group members to ensure required pitch Completed |
Evidence:
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Warm up to ensure that sound production is secure before beginning the performance Completed |
Evidence:
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Use relaxation techniques to overcome performance anxiety as required Completed |
Evidence:
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Apply technical and musicianship skills in performance
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Maintain concentration and focus throughout the performance Completed |
Evidence:
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Meet the technical and interpretive requirements of the music and staging requirements of the performance Completed |
Evidence:
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Apply music knowledge of genres, styles, musical elements, solo and ensemble practices, and music literacy to enhance interpretive aspects of performance Completed |
Evidence:
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Use stagecraft skills and performing style appropriate to the context of the music and the performance Completed |
Evidence:
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Respond to contingencies to maintain the integrity of the performance Completed |
Evidence:
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Interact with stage management and other artistic, venue, studio and organisational staff as required Completed |
Evidence:
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Interact with group members
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Respond to musical, stage or studio directions, and give cues to contribute to a cohesive performance Completed |
Evidence:
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Sustain the musical line and/or harmony in ensemble as required by the style and context of the performance Completed |
Evidence:
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Listen critically and adjust playing and volume to achieve balance in dynamics and style with other players Completed |
Evidence:
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Maintain responsiveness to other performers and to the music-making process throughout the performance Completed |
Evidence:
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Synchronise own playing with that of other performers, and make music entries and exits consistent with the style of music and as agreed with other players Completed |
Evidence:
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Demonstrate respect for other performers’ work, using appropriate communication in verbal and body language Completed |
Evidence:
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Contribute to the dynamics of the group to ensure best performance outcome Completed |
Evidence:
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Evaluate performance
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Discuss performance against previous work with group members to assess technical and artistic development Completed |
Evidence:
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Identify weaknesses and errors in the performance and collaboratively suggest remedies Completed |
Evidence:
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Evaluate repertoire choice and programming to determine suitability for the group’s technical standard and style, as well as the overall musical balance in the program Completed |
Evidence:
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Assess the role of individual performers for ensemble balance and for future performance possibilities Completed |
Evidence:
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Evaluate the group’s stage presentation, posture, dress and movement, and determine possible improvements Completed |
Evidence:
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Analyse audience reaction to determine ways in which communication with the audience can be improved or special audience needs can be met Completed |
Evidence:
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Collaboratively develop strategies for refining group performance and technical skills based on outcome of evaluations Completed |
Evidence:
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