The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Prepare for performances
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Study performance works prior to rehearsals Completed |
Evidence:
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Confirm that the warm up facility and the venue meet work health and safety (WHS) requirements Completed |
Evidence:
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Complete pre-performance checks of equipment, instruments and accessories to confirm that resources are available as required Completed |
Evidence:
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Use appropriate warm up to assist self and performers to prepare psychologically, physically and artistically Completed |
Evidence:
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Communicate last minute contingency measures calmly where required, and anticipate consequences Completed |
Evidence:
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Apply listening skills to confirm that individual and collective tuning of instruments is accurate Completed |
Evidence:
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Observe protocols during performances
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Dress appropriately for the performance occasion Completed |
Evidence:
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Acknowledge the concertmaster and audience according to stage protocols Completed |
Evidence:
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Observe performers and audience to ascertain and expedite performance readiness Completed |
Evidence:
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Engage and communicate with audience appropriate to the performance context Completed |
Evidence:
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Acknowledge performers and audience at the conclusion of performances or at other appropriate times Completed |
Evidence:
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Interact with performers
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Demonstrate knowledge of the score during performances Completed |
Evidence:
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Communicate musical leadership clearly to performers through demeanour, body language and cues Completed |
Evidence:
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Maintain the engagement of all performers, and direct energy throughout performance Completed |
Evidence:
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Maintain acoustic balance of instrumental and/or electronic forces Completed |
Evidence:
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Apply music and instrument or vocal knowledge and technical skills to enhance individual and collective performance Completed |
Evidence:
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Monitor the body language of performers and ensemble members, and respond appropriately Completed |
Evidence:
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Respond to performance variations and adapt to minimise any disruptions to performance flow Completed |
Evidence:
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Maintain balance between the aspirations of different performers and their functions within the overall work Completed |
Evidence:
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Evaluate performance
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Evaluate performances against planned outcomes in discussion with relevant people Completed |
Evidence:
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Review own performance for its success in achieving the potential of musical works and performers, and identify aspects that could be improved Completed |
Evidence:
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Assess performances for potential contribution they may make to future work Completed |
Evidence:
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