The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Clarify post-production briefs
|
|
Confirm technical and creative briefs for proposed productions in consultation with relevant production personnel Completed |
Evidence:
|
Liaise with camera operators to select and test suitable codecs for acquisition Completed |
Evidence:
|
Evaluate creative treatment for colour grade of program Completed |
Evidence:
|
Select suitable colour grading software for the work Completed |
Evidence:
|
Test workflow for proposed media and rectify, if required, to confirm metadata is compatible with chosen software package Completed |
Evidence:
|
Ascertain deadlines for completion and modify approach to complete work on schedule Completed |
Evidence:
|
Prepare assets for colour grade
|
|
Check video monitor calibration, and organise correction as required Completed |
Evidence:
|
Choose suitable media drive with required performance for media assets Completed |
Evidence:
|
Ingest media and metadata assets and make required adjustments for any colourspace variations Completed |
Evidence:
|
Check transferred metadata correctly references desired edits and adjust as required Completed |
Evidence:
|
Perform backups of all supplied and generated media and metadata Completed |
Evidence:
|
Perform primary colour grade
|
|
Select appropriate lookup table (LUT) for media if required Completed |
Evidence:
|
Use technical scopes to read and check contrast and colour values Completed |
Evidence:
|
Adjust contrast of clips to achieve desired creative result Completed |
Evidence:
|
Adjust colour and saturation of clips to correct for imbalances and set to a neutral tone Completed |
Evidence:
|
Ensure sequential shots from scenes are suitably matched Completed |
Evidence:
|
Adjust contrast and colour to meet requirements of the brief Completed |
Evidence:
|
Perform secondary colour grade
|
|
Choose clips that require secondary colour grading Completed |
Evidence:
|
Make selective adjustments to parts of the images based on colour and contrast Completed |
Evidence:
|
Make selective adjustments to images based on preset and custom shapes Completed |
Evidence:
|
Combine multiple secondary corrections in the one clip Completed |
Evidence:
|
Adjust and change values of secondary colour corrections over time, if required Completed |
Evidence:
|
Create and store different colour grade versions of the same clip, if required Completed |
Evidence:
|
Make changes as required by relevant production personnel Completed |
Evidence:
|
Create and output deliverables
|
|
Check brief and supplied specification documents for required output files Completed |
Evidence:
|
Create low resolution output files Completed |
Evidence:
|
Create high resolution output files that comply with specification documents Completed |
Evidence:
|
Create metadata files if necessary Completed |
Evidence:
|
Archive all media and metadata according to enterprise procedures Completed |
Evidence:
|
Complete all required tasks within deadlines Completed |
Evidence:
|