The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Set up rehearsal rooms
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Consult with relevant personnel to determine rehearsal room requirements Completed |
Evidence:
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Measure designers’ plans and, if required, identify where contractions can be made to mark up without affecting accuracy of performance area mark-up Completed |
Evidence:
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Select colour coding and symbols to make the mark up clear to performers, director and others Completed |
Evidence:
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Mark up sets in rehearsal rooms with the assistance of other personnel as required Completed |
Evidence:
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Assign rehearsal props, costume setting areas, and work and seating areas for creative personnel in rehearsal rooms Completed |
Evidence:
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Assign duties to assistant stage managers and agree on priorities Completed |
Evidence:
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Oversee the acquisition and preparation of rehearsal materials and equipment Completed |
Evidence:
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Monitor work and provide coaching and feedback as required Completed |
Evidence:
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Prepare documentation
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Obtain and distribute copies of scripts or scores to relevant personnel as required 2.2 Set up stage manager’s production script for recording show production information Completed |
Evidence:
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Analyse and interpret scripts and other production information to produce stage management documentation Completed |
Evidence:
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In consultation with director, plan, process and distribute rehearsal schedules Completed |
Evidence:
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Manage rehearsals and contribute to creative development
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Use technical knowledge and innovative thinking to assist creative personnel to explore options and resolve creative problems that arise during rehearsals Completed |
Evidence:
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Treat cast, director and creative personnel with respect and sustain a safe work environment in rehearsals that supports innovation and creativity Completed |
Evidence:
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Coordinate specialist advisors and coaches for rehearsals Completed |
Evidence:
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Manage costume and prop fitting appointments and media calls for cast in ways that cause least disruption to scheduled rehearsals Completed |
Evidence:
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Update stage manager’s production script as rehearsals progress Completed |
Evidence:
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Manage rehearsal schedules ensuring performers and others are aware of calls and changes Completed |
Evidence:
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Provide feedback to assistant stage managers on their work and assign tasks arising from rehearsals Completed |
Evidence:
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Manage communication of rehearsal information
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Participate in director’s post-rehearsal notes sessions and advise relevant personnel of text or blocking errors and production, technical and design issues that need attention Completed |
Evidence:
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Manage frequent and timely dissemination to relevant personnel of creative development information from rehearsal rooms Completed |
Evidence:
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Participate in production meetings and use knowledge of creative developments in rehearsals to assist in clarifying requirements, problem solving and setting priorities Completed |
Evidence:
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Manage rehearsal room runs
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Notify relevant personnel of scheduled run dates and times Completed |
Evidence:
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Ensure that available prioritised props, costumes and technical elements are delivered to rehearsal rooms and set up prior to full run of shows Completed |
Evidence:
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During runs, record running times of sections, acts and full show Completed |
Evidence:
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Give cues and read in stage directions, prompt performers and operate technical equipment as required Completed |
Evidence:
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Participate and take notes in post-run meetings between creative and other personnel and action matters raised in discussions Completed |
Evidence:
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Participate in director’s post-run notes sessions and provide cast with notes on text or blocking errors Completed |
Evidence:
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Provide feedback to assistant stage managers on their work and assign tasks arising from runs Completed |
Evidence:
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Contribute to evaluations of productions and implement recommendations aimed at improving overall effectiveness of stage management procedures Completed |
Evidence:
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