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Evidence Guide: CUFWRT402A - Write extended stories

Student: __________________________________________________

Signature: _________________________________________________

Tips for gathering evidence to demonstrate your skills

The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!

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CUFWRT402A - Write extended stories

What evidence can you provide to prove your understanding of each of the following citeria?

Analyse extended story writing requirements

  1. Identify the components of a storytelling creative concept, brief or project, including target audience, format, timeline and proposed outcomes
  2. Consider factors such as style, tone and length in relation to purpose of the writing task
  3. Decide on the most appropriate structuring technique for extended story writing tasks
  4. Discuss with relevant personnel possible visual and aural storytelling structures if appropriate to storytelling tasks
Identify the components of a storytelling creative concept, brief or project, including target audience, format, timeline and proposed outcomes

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Consider factors such as style, tone and length in relation to purpose of the writing task

Completed
Date:

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Evidence:

 

 

 

 

 

 

 

Decide on the most appropriate structuring technique for extended story writing tasks

Completed
Date:

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Evidence:

 

 

 

 

 

 

 

Discuss with relevant personnel possible visual and aural storytelling structures if appropriate to storytelling tasks

Completed
Date:

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Prepare to write extended stories

  1. Research extended and more complex stories from a range of creative works that may inspire story ideas to meet project requirements
  2. Use information sources to research subject areas
  3. Experiment with a range of narrative structures and writing styles and techniques
  4. Develop extended ideas for characters, plots and settings
  5. Develop complex scenarios, contexts and situations as required
  6. Select the story structure, style, techniques and content that best meet the requirements of projects
  7. Seek feedback from relevant personnel on proposed stories and refine approach as required
Research extended and more complex stories from a range of creative works that may inspire story ideas to meet project requirements

Completed
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Use information sources to research subject areas

Completed
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Experiment with a range of narrative structures and writing styles and techniques

Completed
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Develop extended ideas for characters, plots and settings

Completed
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Develop complex scenarios, contexts and situations as required

Completed
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Select the story structure, style, techniques and content that best meet the requirements of projects

Completed
Date:

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Seek feedback from relevant personnel on proposed stories and refine approach as required

Completed
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Draft extended stories

  1. Draft extended stories using appropriate structuring, style and language
  2. Use relevant formatting and presentation techniques
  3. Proofread draft stories for appropriate grammar, punctuation and spelling
  4. Submit draft manuscripts to relevant personnel for feedback and amend as required
Draft extended stories using appropriate structuring, style and language

Completed
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Use relevant formatting and presentation techniques

Completed
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Proofread draft stories for appropriate grammar, punctuation and spelling

Completed
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Submit draft manuscripts to relevant personnel for feedback and amend as required

Completed
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Write final drafts

  1. Evaluate extended stories in line with relevant criteria
  2. Discuss and confirm with relevant personnel additional requirements or modifications to the story
  3. Complete necessary amendments as required within agreed timelines
  4. Evaluate story writing process, assessing one's own performance and noting areas for future improvement
Evaluate extended stories in line with relevant criteria

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Discuss and confirm with relevant personnel additional requirements or modifications to the story

Completed
Date:

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Evidence:

 

 

 

 

 

 

 

Complete necessary amendments as required within agreed timelines

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Evaluate story writing process, assessing one's own performance and noting areas for future improvement

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Assessed

Teacher: ___________________________________ Date: _________

Signature: ________________________________________________

Comments:

 

 

 

 

 

 

 

 

Instructions to Assessors

Evidence Guide

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the following is essential:

writing of original extended stories applying appropriate format, and indicating creative engagement with extended storytelling techniques

ability to write extended stories that engage the target audience and meet requirements or purpose of a storytelling concept, brief or project.

Context of and specific resources for assessment

Assessment must ensure:

access to word processing software

access to a range of information sources as listed in the range statement

access to appropriate learning and assessment support when required

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed.

Method of assessment

The following assessment methods are appropriate for this unit:

direct questioning combined with review of portfolios of evidence and third-party workplace reports of on-the-job performance

evaluation of extended stories written by the candidate in line with relevant criteria as listed in the range statement

written or oral questioning to test knowledge of information sources

evaluation of creative and information research sources through report, journal or oral reporting.

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:

BSBCRT402A Collaborate in a creative process

CUFRES401A Conduct research

CUFWRT401A Edit texts.

Required Skills and Knowledge

Required skills

learning skills sufficient to improve performance and product through self-reflection and redrafting after feedback

proficient use of word processing and other software tools

communication, teamwork and literacy skills sufficient to:

interpret creative concepts and briefs

write extended stories that engage specific audiences

use correct grammar, spelling and punctuation when writing

discuss story ideas with colleagues or clients

negotiate amendments to stories

respond positively to constructive feedback on draft stories

initiative and enterprise sufficient to:

develop original, innovative and creative approaches in the storytelling process

experiment with narrative styles and elements to develop a creative sustained vision

extend creative boundaries for self and audience

find creative solutions to problems identified during the process of story development

locate and use resources to broaden own creative experience

self-management and planning skills sufficient to:

prioritise work tasks

plan extended stories in a logical and cohesive way

meet deadlines

seek expert assistance as required

Required knowledge

industry knowledge, including:

roles and responsibilities of project team members

issues and challenges that arise when writing extended stories

storytelling techniques appropriate to a range of extended story contexts

in-depth knowledge of storytelling narrative, structure and formats appropriate to audience and purpose

research techniques incorporating creative concept development and information compiling

media laws sufficient to identify defamation and obscenity and seek expert advice on issues that could lead to legal action

copyright clearance procedures and privacy protection procedures

OHS standards as they relate to working for periods of time on computers

Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Formats may include:

anthologies

fiction manuscripts

literary non-fiction extended features

non-fiction manuscripts for book projects

script templates

storyboards

sustained concepts, storylines and narratives for:

plays

musicals

theatre

dance

television or radio

newspapers

journals

magazines.

Proposed outcomes may include:

children's or young adult novel or non-fiction

extended stories for:

plays

musicals

theatre

dance

television or radio productions

newspapers

journals

magazines

anthologies

websites

animated film

games

e-learning resources

non-fiction project, such as:

history

life story

biography

novel or novella

verse novel.

Purpose of the writing task may include:

artistic response

creative idea transfer

education and training

entertainment

income generation

information transfer

personal development

persuasion

professional outcome

reporting

self-fulfilment.

Structuring techniques may include:

characters

dialogue

pace

plot and subplots

point of view

setting

story mapping

storyboarding.

Relevant personnel may include:

agents

asset creators

authors

clients

content experts

directors

editors

graphic designers

information architects

navigation designers

other writers

producers

programmers

publishers

user interface designers

other technical/specialist staff.

Visual and aural storytelling structures may include:

convergence of image, music and text

gestures and other non-verbal communication

metaphors, objects, icons and visual meaning

music and sound effects

musicality:

rhythm

beat

accent

physicality

signs and meanings

visual characterisation

visual forms of storytelling.

Creative works may include:

animations

comics

dance

fiction, including novels, novellas and longer short stories

films

music lyrics

musicals

newspapers, journals and magazines

non-fiction

plays

radio programs

television programs

theatre.

Information sources may include:

colleagues

commercial enterprises

federal, state and local government departments

industry associations and organisations

industry practitioners and technical experts

internet

media outlets

organisational policies and procedures

personal observations and experience

publications, e.g.:

reference books

newsletters and magazines

specialist technical journals

bulletins

press releases

letters

manufacturer handbooks, manuals and promotional material.

Criteria may include:

appropriateness of characters and narrative plotting

appropriateness of dialogue

creative engagement with the format, techniques and style of stipulated extended stories

level of engagement with target audience

relevance of story content

relevance of the creative concept or project

soundness of the story's structure:

linear

non-linear

experimental.