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Evidence Guide: CUVDIG302A - Produce video art

Student: __________________________________________________

Signature: _________________________________________________

Tips for gathering evidence to demonstrate your skills

The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!

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CUVDIG302A - Produce video art

What evidence can you provide to prove your understanding of each of the following citeria?

Plan video artwork through exploration

  1. Explore video art ideas and techniques in consultation with key people
  2. Review historical and contemporary video art practice as a potential source of ideas
  3. Refine and clarify ideas for video art based on exploration
  4. Assess the capabilities of video art techniques through practice and adaptation
  5. Select techniques that best support the ideas for the work
Explore video art ideas and techniques in consultation with key people

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Review historical and contemporary video art practice as a potential source of ideas

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Refine and clarify ideas for video art based on exploration

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Assess the capabilities of video art techniques through practice and adaptation

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Select techniques that best support the ideas for the work

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Prepare, maintain and store video art resources

  1. Select and organise video art tools, equipment and materials suited to the chosen work
  2. Prepare and maintain resources based on the needs of the work
  3. Take responsibility for the safe and sustainable use of resources
  4. Store resources according to the specific needs of different items
Select and organise video art tools, equipment and materials suited to the chosen work

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Prepare and maintain resources based on the needs of the work

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Take responsibility for the safe and sustainable use of resources

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Store resources according to the specific needs of different items

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Create finished video artwork

  1. Safely use and adapt video art techniques to create desired effects
  2. Review work in progress and make adjustments as required to produce final work in appropriate file formats
  3. Add value to the current work process and future work by documenting the work progress
  4. Liaise with others to obtain feedback on work in terms of its technical proficiency and success in communicating ideas
Safely use and adapt video art techniques to create desired effects

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Review work in progress and make adjustments as required to produce final work in appropriate file formats

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Add value to the current work process and future work by documenting the work progress

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Liaise with others to obtain feedback on work in terms of its technical proficiency and success in communicating ideas

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Assessed

Teacher: ___________________________________ Date: _________

Signature: ________________________________________________

Comments:

 

 

 

 

 

 

 

 

Instructions to Assessors

Evidence Guide

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to:

produce multiple video artworks or a single major work that shows some technical proficiency in chosen techniques

work with ideas and techniques and bring them together in finished work

adapt and extend the capabilities of video artwork techniques and resources.

Context of and specific resources for assessment

Assessment must ensure access to:

equipment used to produce video art pieces.

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:

evaluation of technical execution of work pieces produced by the candidate

direct observation of video artwork in progress

questioning and discussion of the candidate’s intentions and work outcome

review of portfolios of evidence

review of third-party reports from experienced practitioners.

Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:

CUVPRP301A Produce creative work.

Required Skills and Knowledge

Required skills

communication skills to:

discuss ideas for video art with others

respond constructively to feedback

initiative and enterprise skills to extend the capabilities of video art techniques to enhance final works

learning skills to improve techniques to produce video art through practice and some experimentation

literacy skills to read product safety labels and instructions on use

numeracy skills to calculate quantities of materials

planning and organising skills to organise resources required to produce video art

self-management skills to take responsibility for the process of creating work.

Required knowledge

ways of exploring techniques and materials to achieve different effects in video artwork

physical properties and capabilities of a range of materials, tools and equipment used in video artwork

work space requirements for video art, including ways of organising and maintaining space

cleaning, maintenance and storage procedures for video art tools, materials and equipment

formal elements and principles of design and their specific application to video artwork

historical and theoretical contexts for video art

intellectual property considerations for any person making creative work

sustainability considerations associated with the use of video artwork tools, materials and equipment

OHS procedures that apply to video artwork.

Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Ideas may be influenced by:

current capability with techniques

historical and theoretical contexts

subject matter or theme for the work, such as:

built environment

land and place

natural world

political, cultural and social issues

the body

spiritual concerns.

Techniques may include:

animation

camera movement:

pan

tracking

zoom

camera scales:

close up

medium shot

long shot

constructing form with light

editing:

cross-cutting

cutaway

dissolves

jump cuts

mise-en-scene

montage

recording sound:

ambient

direct

special effects

voice-overs

sculpting in time and space

setting up camera angles:

aerial view

low

titled

techniques for coping with different lighting and weather conditions

working from music scores.

Key peoplemay include:

mentors

other artists

peers

supervisors

teachers.

Strategies used to assess the capabilities of techniques may involve:

experimenting directly with work in progress

producing test clips

testing recording and editing features.

Equipment may include:

batteries

cameras

computer

editing software

editing suite

electrical leads

lighting equipment and appropriate cabling

sound equipment and microphones

tripods.

Materials may include:

materials and objects for use as:

costumes

props

sets

materials used in animation, such as:

modelling clay

paints

templates.

Needs of the work may relate to:

availability of different resources

budget

creative goals

preparation time

process-specific requirements

recycling

safety

sustainability.

File formats may include:

FLV

MPEG-2

MPEG-4

RealMedia

WAV

WMV.