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Elements and Performance Criteria

  1. Develop a range of wedding services based on a studio style
  2. Liaise with client and prepare for shoot
  3. Shoot images, proof and optimise work to client specifications
  4. Wrap up and review shoot

Required Skills

Required skills

photo imaging skills to

create meaningful images in private or public spaces in a respectful manner

optimise or create files or film to wedding photo imaging industry standards

use industrystandard digital media design and presentation technologies

research skills to

compare contemporary styles and conceptual or aesthetic approaches to wedding photo imaging

maintain professional practice arrangements for wedding photo imaging

critical thinking skills to

recognise and address barriers to effective photo imaging workflow

reflect on and analyse own performance

literacy skills to develop and interpret business documents and contracts

numeracy skills to

maintain contractual and financial records for business and taxation purposes

prepare pricing structures payment plans budgets quotations and invoices for clients

planning and organising skills to

coordinate activities of models assistants and creative and shoot teams

interpret and respond to photo imaging briefs

organise shoots on location or in studio and prepare shoot management timelines

learning skills to review personal performance within shoot context

problemsolving skills to

identify or rectify equipment malfunction or failure

adjust for unforeseen or changed circumstances of the wedding shoot

teamwork skills to work with a shoot and postshoot team

communication skills to

conduct interviews and consultation

develop rapport with subjects and recognise and overcome tension and nervousness that may arise from subjects having photographs taken

establish and nourish industry links with suppliers contractors and employees

make business presentations

negotiate prices and fair exchange of services with clients and project stakeholders

resolve complaints and disputes

seek feedback from clients on shoot progress and image selection

work effectively with diversity and deal empathetically with subjects

technology skills to check and reinstate equipment studio and props

Required knowledge

broad wedding photo imaging environment including the styles and where and how the image products are used

business practice including partnerships contracts intellectual property copyright legal moral insurance financial budget political OHS licences and permits

relationship between photo imaging practitioner and wedding clients

procedures for selecting testing and evaluating technology to determine its suitability for wedding production purposes

traditions and contemporary issues that inform wedding photo imaging practice

protocols for working with government institutionsregulations relating to the wedding environment

Evidence Required

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

apply a typical workflow in wedding photo imaging professional practice

apply business coordination and negotiation skills to own photo imaging practice

apply technical and imaging skills including capturing and optimising wedding images

interact and liaise with clients and associated professionals within the context of a wedding shoot including empathetic communication skills

work within a diverse range of cultural and religious practices and rituals in a wedding context

Context of and specific resources for assessment

Assessment must ensure

access to

a range of photo imaging production equipment employed in a wedding context such as album layout software cameras computers printers darkrooms lighting and accessories

a range of locations and studios for wedding photo imaging shoots

sources of information to research contemporary styles and conceptual or aesthetic approaches to wedding photo imaging

appropriate learning and assessment support when required

opportunity for collaboration with or in allied industries such as designers fashion stylists makeup artists hairdressers processing labsprinters bookbinders and presentation specialists

the use of culturally appropriate processes and techniques appropriate to the oracy language and literacy capacity of the candidate and the work being performed

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge The following examples are appropriate for this unit

direct questioning combined with review of portfolios of evidence

review of thirdparty reports from experienced practitioners

direct observation of candidate applying a typical workflow in wedding photo imaging professional practice

direct observation of candidate participating in wedding photo imaging events and making wedding photo imaging products

case studies to assess candidates ability to research contemporary styles and conceptual or aesthetic approaches to wedding photo imaging

participation in and observation of wedding photo imaging awards

review of creative products against wedding industry standards and service specifications

Assessment methods should closely reflect workplace demands eg literacy and the needs of particular groups eg people with disabilities and people who may have literacy or numeracy difficulties such as speakers of languages other than English remote communities and those with interrupted schooling

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUVPHIA Research the role and use of the photo image in visual communication

CUVPHI516A Research the role and use of the photo image in visual communication

CUVPHIA Research and exploit photo imaging trends

CUVPHI517A Research and exploit photo imaging trends

CUVPHIA Explore the descriptive and emotive nature of photo lighting

CUVPHI518A Explore the descriptive and emotive nature of photo lighting

CUVPHIA Investigate and exploit innovative imaging options

CUVPHI519A Investigate and exploit innovative imaging options

CUVPHIA Produce an innovative presentation of professional work

CUVPHI520A Produce an innovative presentation of professional work

CUVPHIA Employ colour management in a digital imaging workplace

CUVPHI529A Employ colour management in a digital imaging workplace.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Sources of information may include:

contemporary wedding or fashion media, newspapers, television and magazines

internet and social media sites

interviews

personal experiences

professional awards

professional libraries

workshops, seminars and conferences.

Wedding photo imaging styles may include:

contemporary

ethnic, religious and cultural traditions

magazine style

photo-documentary/photo essay

traditional.

Wedding subjects may include:

integration of subjects into architectural and landscape environments

portraits of:

couples

formal and informal groups

individuals

wedding details:

apparel and accessories

automobiles and transportation vehicles

cakes

dresses

flowers

jewellery.

Wedding locations may include:

churches

landscape environment:

beaches, river and stream banks

buildings and architectural

public and private parks and gardens

roadsides, fields and farmlands

urban and rural

photo imaging studio

private homes

reception rooms and hotels.

Studio style may include:

unique and recognisable photographic and print/album look, including factors such as:

depth of field

exposure compensation

fragments and details

framing and cropping

lens focal length

post-capture image treatment

point of view (POV) photography

use of abstraction.

Pricing schedule may include:

payment plans

range of services or packages.

Professional practice arrangements may include:

contracts

copyright, licensing and intellectual property rights

creative product archive/digital asset management

financial management and GST

insurance, including personal, public risk, accident and sickness, equipment, completed creative product, and transportation and storage

licences and permits

model/talent and property releases

OHS

project budget management.

Appropriate people may include:

bridal agencies and wedding suppliers

members of relevant professional associations

mentors and peers

practising wedding photographers, photo imagists and members of allied fields.

Shoot responsibilities may include:

confirming legal aspects of the shoot

controlling the shoot

controlling and signing off on the creative product

liaising with bridal party and family to coordinate group shots

negotiating and signing contract

paying deposit and final account

selecting locations, props and backgrounds.

Shoot requirements may include:

analog or digital capture technologies and supporting accessories

creative product:

how it is to be used

what the client specifies

duration of coverage

hire options for equipment

props and backgrounds

photo imaging lighting:

ambient

mixed lighting

supplementary, including electronic flash, tungsten and fluorescent

processing requirements for image work created

shoot team

post-shoot team:

album planners and designers

digital media/audio visual producer

image enhancement and retouching

studio or internal/external location

timelines for stages of wedding workflow

transportation of equipment.

Shoot preparations may include:

assemble and check all equipment

brief assistants, members of the shoot and post-shoot teams

conceptualise involvement in creative process

confirm time, place and requirements for all aspects of the shoot that will be supplied by others

consider and implement strategies for back-up equipment in case of equipment loss or failure

ensure personal grooming and presentation of self and team match client expectations

negotiate access to locations with necessary parties

undertake weather check for location shoots.

Shoot context may include:

agreed responsible parties for aspects of the shoot

application of teamwork and management skills conducive to a creative environment

client’s contractual agreement

compassionate and empathetic considerations

cultural requirements

physical environments of the shoot

time constraints for locations and associated professionals for the event.

Changed circumstances may include:

changes due to emotional state of the subjects

changes to contractual arrangements

equipment malfunctions

inclement weather

overlooked technical requirements

physical changes of the location

subject changes

substitution of replacement photographer due to illness or unavailability.

Shoot team may include:

album planners and designers

child minders

post-shoot team:

digital media/audio visual producer

image enhancement and retouching

shoot team:

assistants

fashion stylists

make-up and hairdressers

posers.

Creative products may include:

photo images as:

digital files for use on the internet or for inclusion in personal digital media presentations or documents

DVDs and digital media presentations

framed prints

loose prints

mounted prints

prints in or for albums and books.

Optimise images may include:

digital files as specified:

bit depth

colour space

digital asset management

file dimensions and size in pixels

file format, such as:

joint photographic experts group (JPEG)

portable document format (PDF)

Photoshop Data (PSD)

tagged image file format (TIFF)

file naming, captions and inclusion of file information data

multiple file formats

uncompressed and compressed files

maintain quality and integrity of the digital data

process RAW/JPEG files

retouch, enhance and photomontage as requested

transfer media, such as CD, DVD and internet.