CUADAN608A
Extend contemporary dance performance skills to a professional level

This unit describes the performance outcomes, skills and knowledge required to perform complex contemporary dance technique demonstrating range, depth, precision and artistry across contemporary dance repertoire at a professional level.

Application

This unit applies to dancers who are moving towards professional careers in contexts where complex contemporary dance technique and versatility are required for performing as members of a professional dance company as an ensemble or soloist dancer.

At this level, dancers are constantly refining their technique and perfecting their artistry across complex dance sequences and repertoire, including improvisation, solo and group work.

While some supervision and guidance are provided in practice sessions and rehearsals, dancers are expected to display a high level of motivation and sense of responsibility for themselves and others during practice sessions, rehearsals and live performances.


Prerequisites

Not applicable.


Elements and Performance Criteria

1. Execute a professional level of artistry and presentation in rehearsals

1.1. Always perform warm-up and cool-down activities in conjunction with dance activities

1.2. Apply a professional level of concentration, facility and expertise to refine extended contemporary dance technique in each section of class work

1.3. Develop complex performance attributesand quality of movement in sequences of extended difficulty

1.4. Show strength, precision and complexity in all aspects of footwork

1.5. Exhibit a professional level of physical learning and adaptabilityto incorporate unseen combinations with speed and verve

1.6. Refine techniques for working with a partner

1.7. Demonstrate through ongoing technical strength, diversity and refinement, evidence of advanced self-correction and concentrated response to feedback

2. Perform at a professional level

2.1. Undertake preparations appropriate to performance contexts

2.2. Ensure that personal presentation is appropriate to performance contexts

2.3. Apply performance psychology techniques to preparations

2.4. Perform repertoire demonstrating an understanding of nuances and characteristics of choreographic styles

2.5. Convey, through dance, the range of human emotions required to execute the dance pieces as intended

2.6. Inject performances with a sense of light and shade in line with choreographic intent

2.7. Follow direction from artistic director or choreographers as required

2.8. Contribute to debriefing sessions to evaluate the quality of performances and to discuss ways of improving individual or ensemble technique

3. Incorporate allied contemporary dance techniques into professional level performances

3.1. Demonstrate complex performance attributesand quality of movement in sequences based on improvisation, in complex duo sequences and in high velocity acrobatic moves.

3.2. Sense when partner needs to leave a balance, or needs to be steadied, and be there to offer support in duo and dance tumbling

3.3. Adapt to a range of choreographic moments by engaging with differences and similarities of shape and dynamic quality.

3.4. Apply the flexibility, sense of line and clear positions essential to the form

3.5. Engage with the style and intention of the relevant choreographic form through the application of skills and knowledge of allied contemporary dance techniques

4. Develop professional practice

4.1. Develop and refine professional work ethic

4.2. Develop realistic parameters as a basis for extending scope of performance practice

4.3. Identify regimes and artistic strategies that will refine own performance technique

Required Skills

Required skills

communication skills to:

work collaboratively as part of an ensemble

respond appropriately to feedback on own skill development and performance

consult with peers and mentors, including interpersonal skills relating to listening, questioning, gaining feedback and giving information

initiative and enterprise skills to:

work creatively with music and dance

adapt appropriately to cultural differences in dance

dance with artistry and assurance

communicate mood, style and grace through dance

develop increased range and sequencing of individually-unique improvised movements

learning skills to:

develop strong contemporary dance techniques through:

practising complex movements and sequences

a positive attitude to dancing

implement a personal physical conditioning program

extend improvisational responses to a wide range of stimuli for performance and choreographic development

planning and organising skills to plan practice time

self-management skills to:

arrive punctually at classes, rehearsals and performances

dress appropriately

observe dance discipline and follow direction

apply safe dance practices and identify risk factors

demonstrate professional work ethic

show a consistent level of commitment

maintain spatial discretion between self and others when moving

teamwork skills to work collaboratively with others involved in dance classes and performances

technical dance skills to:

execute high level of competency in each section of class work

respond to different time signatures

execute counterbalance, support, manipulation mechanics and medium power lifting

demonstrate facility in grip leverage, thrust and counter-thrust and coordinated timing

perform high level isolation and energy placement techniques

retain and reproduce complex movement sequences

show alignment and extensions in combinations of a high level of difficulty

execute balances, turns and jumps on and off centre in a wide variety of shapes

perform multiple turns in a variety of body shapes

show facility and speed in directional changes

develop a high level of spatial awareness in group movements, including floor patterns and aerial pathways

exhibit a high level and range of coordination of limbs, torso and head

observe and interpret the physical body.

Required knowledge

choreographic and stylistic nuance in relation to contemporary dance

genres, styles and philosophical nature of contemporary dance

influential choreographers in contemporary dance

relationship between acting and contemporary dance

correct contemporary dance terminology

roles or hierarchy in professional situations, such as:

auditions

rehearsals

performances

principles underlying dance movements and techniques, such as:

movement efficiency

relationship with gravity

spatial awareness

successional movement

use of breath

folding

extending

rotating

shifting weight

anatomical and alignment principles, including:

skeletal structure

articulation of the spine

engagement of the feet

bases of support, including feet, legs, hands, arms and torso

range of motion of the joints

differentiation of the legs and pelvis

risk factors in dance for the physical body

stage geography and directions

musical rhythms, including:

time signatures

beat

tempo

syncopation.

Evidence Required

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to:

execute physical and conceptual understanding of the fundamental technical principles in contemporary dance

perform contemporary dance sequences before an audience in ways that demonstrate:

expressive skills in line with choreographic intent

an ability to respond to complex changes in tempo, time signatures and musical phrasing

a high level of dance improvisational skills

facility and speed in directional changes

a high level of spatial awareness in group movements

harmony of movement when performing with a partner

develop professional practice

display a consistent level of commitment to developing performance quality and artistry in the given style.

Context of and specific resources for assessment

Assessment must ensure access to:

fully equipped dance studios

live performance opportunities

appropriate music or accompanists.

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:

direct questioning combined with review of portfolios of evidence

third-party workplace reports of on-the-job performance

video recordings of performances in which the candidate is dancing

verbal or written questioning to test knowledge as listed in the required skills and knowledge section of this unit

case studies and scenarios as a basis for discussion of issues and challenges that arise in the context of extending contemporary dance technique to a professional level

direct observation of candidate in performances.

Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:

CUADAN601A Perform dance repertoire at a professional level

CUADAN607A Extend contemporary dance technique to a professional level

CUADAN610A Extend allied contemporary dance techniques at a professional level

CUADAN611A Perform virtuoso contemporary dance technique

CUAIND601A Work professionally in the creative arts industry

CUAOHS602A Develop techniques for maintaining resilience in a competitive environment.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Warm-up and cool-down may include:

stretching

joint-mobility exercises

flexibility exercises

aerobic activities

anaerobic exercises

coordinated breathing activities

floor work.

Contemporary dance technique may include:

Cunningham

Graham

release technique

upper and lower body poses, phrases and movements

correct breathing techniques

balanced positions, including:

elevation of steps

body positions

transitions while in motion and while stationary

standing work and travel combinations

jump work

variations in timing and styles of movement

expressing a range of emotions through the language of dance

centre control

spotting employment of strength and agility

employing visualisation techniques

employing strength and agility

demonstrating an awareness of personal and general space when travelling and stationary

using arm lines appropriately and extensively

multi-turning exercises

clean, sharp isocentric and polycentric isolations

correct posture and alignment when in motion

demonstrating safe dance practices in jumping and faster travelling steps

footwork, arm lines and head movements in combination to express rhythm

performing complex turns while maintaining good technique

moving against gravity with confidence and knowledge.

Sections of class work include:

warm up

floor work

centre practice

turns

travelling sequences

sequences with altered spatial organisations, combining all aspects of embodiment and temporal structures

jumps

cool down.

Performance attributes may include:

musicality with attention to nuances of interpretation

movement dynamics

strong sense of individuality and 'presence' in the execution of sequences

sensibility in sequences of increasing difficulty

alternative musical time signatures and phrasing as the structural basis of the exercises

different expressive qualities applied to movement sequences

reliance on individual interpretation

inclusion of repertoire in class work.

Footwork may include:

precision in completing multiple turns

sequences that demonstrate a well-developed capacity to transfer weight in all pathway directions

enchaînements with style and confidence.

Physical learning and adaptability may include:

set exercises or sequences

unseen exercises or sequences

improvised sequences

sequences from a range of contemporary dance styles

execution of extended sequences to right and left sides without prompting

self-correction.

Techniques may include:

weight exchanges

falls, rolls and balances with or away from partners

set sequences

improvised weight exchanges

timing.

Preparations may include:

familiarisation with performance environment, including:

space

location

size

audience

preparation of space to ensure safety of self and others

mental preparation

immediate physical preparation

rehearsal appropriate to audience

awareness of time lines leading up to and immediately before performance

props

costumes or clothing

make-up

equipment

appropriate footwear

scores

sheet music

tapes

competitions and auditions:

rules

judging criteria, including:

general appearance

costumes

technique

execution

showmanship

entertainment value (the ‘x’ factor)

level of difficulty

originality and creativity

choreography

synchronisation

versatility.

Performance contexts may include:

professional production

solo

ensemble

corps de ballet

audition

competition.

Personal presentation may include:

costumes

accessories

make-up

hair

posture

way of moving.

Performance psychology techniques may include:

visualisations

affirmations

relaxation techniques

mental rehearsal

maintaining a work-life balance.

Emotions may include:

love

loneliness

depression

excitement

diffidence

anger

sadness

fear

aggression

joy

compassion.

Performance attributes may include:

strength, flexibility, coordination and cardiovascular endurance

detailed musicality with attention to nuances of interpretation

movement qualities to movement sequences

strong sense of individuality and 'presence' in the execution of sequences

sensibility in sequences of increasing difficulty

alternative and structurally changing musical time signatures and phrasing for extended sequences

different expressive qualities applied to movement sequences

extensive and changing expressive qualities applied to movement sequences

assured artistic interpretations of sequences and variations.

Professional work ethic may refer to:

attentive behaviour in creative practice

awareness of:

substance abuse

addictive behaviours

expectations of others

eating disorders

effective management of personal finances

balanced diet

energy levels and personal limitations

stage and theatre etiquette

developing strategies to:

cope with performance anxiety

maintain motivation

effective personal hygiene habits, such as:

clean and short nails

clean and tied-up hair

clean hands

ongoing dedication to a physical conditioning exercise program

maintaining concentration, focus and physical alertness in all performance activities

maintaining costumes and other apparel

maintaining a work-life balance

punctuality and reliability

working creatively with individual differences.

Extending scope of performance practice may include:

working effectively with tutor or coach

participating in professional development and other learning opportunities

undertaking training courses

practising systemically

participating in relevant groups or associations

experimenting with own performance

communicating with peers

being involved in a range of relevant performance activities

viewing and reviewing relevant performance events and activities.

Regimes and artistic strategies may include:

lectures

seminars

conferences

symposiums

master classes

professional organisations

practical workshops

performance rehearsals

individual training.


Sectors

Performing arts - dance


Employability Skills

This unit contains employability skills.


Licensing Information

No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement.