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Elements and Performance Criteria

  1. Establish and define requirements for a range of commercial projects.
  2. Prepare for shoot.
  3. Shoot images, proof and optimise work to client specifications.
  4. Wrap up and review shoot.

Required Skills

Required skills

photoimaging skills sufficient to createoptimise files and film to commercial photoimaging industry standards

research skills sufficient to

compare contemporary styles and conceptualaesthetic approaches to commercial photoimaging

maintain professional practice arrangements for commercial photoimaging

critical thinking skills sufficient to

recogniseaddress barriers to effective photoimaging workflow

employ reflective questioning to analyse performance

literacy skills sufficient to develop and interpret business documents and contracts

numeracy skills sufficient to

develop and use complex spreadsheets

maintain contractualfinancial records for businesstaxation purposes

prepare budgets quotations and invoices for clients

planning and organising skills sufficient to

coordinate activities of models assistants creative and production teams

interpret and respond to photoimaging briefs

organise shoots on locationin studio and prepare shoot management timelines

communication skills sufficient to

establishnourish industry links with clients contractors and employees

make business presentations

negotiate pricesfair exchange of services with clients and project stakeholders

negotiaterelate with clients models creative teams and project stakeholders

seek feedback from clientart director on shoot progress and image selection

work effectively with diversity and deal empathetically with subjects

learning skills sufficient to review personal performance within shoot context

problem solving skills sufficient to identifyrectify equipment malfunctionfailure

teamwork skills sufficient to work with a production team

technology skills sufficient to check and reinstate equipment studio and props

Required knowledge

architectural advertising commercial fashion and industrial photoimaging practices and products

business practice eg partnerships contracts intellectual property copyright legal moral insurance financial budget political OHS licences and permits

relationship between photoimaging practitioner and the clientart director

selection testing and evaluation of technology to ascertain suitability for commercial production purposes

traditions and contemporary issues that inform commercial photoimaging practice

working with government institutionsregulations relating to commercial photoimaging practice

Evidence Required

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the following is essential

ability to apply a typical workflow in commercial photoimaging professional practice

ability to interact and liaise with clients art directors and associated professionals

ability to apply business coordination and negotiation skills to own photoimaging work practices

ability to apply technical and imaging skills including capturingoptimising commercial images

Context of and specific resources for assessment

Assessment must ensure

access to a range of photoimaging production equipment employed in a commercial context eg cameras computers software printers darkrooms studios lighting accessories

access to a range of locations and studios for commercial photoimaging shoots

access to sources of information to research contemporary styles and conceptualaesthetic approaches to commercial photoimaging

opportunity for collaboration with or in allied industries eg design fashion makeup food styling engineering architecture graphic art printing

access to appropriate learning and assessment support when required

the use of culturally appropriate processes and techniques appropriate to the oracy language and literacy capacity of the assessee and the work being performed

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge The following examples are appropriate for this unit

direct questioning combined with review of portfolios of evidence and third party workplace reports of onthejob performance by candidate

direct observation of candidate applying a typical workflow in commercial photoimaging professional practice

case studies to assess candidates ability to research contemporary styles and conceptualaesthetic approaches to commercial photoimaging

participation inobservation of professional design advertising and photographyphotoimaging awards

review of photoimaging products against commercial industry standards and service specifications

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUVPHIA Research role and use of the photoimage in visual communication

CUVPHI501A Research role and use of the photoimage in visual communication

CUVPHIA Research and exploit photoimaging trends

CUVPHI502A Research and exploit photoimaging trends

CUVPHIA Explore the descriptive and emotive nature of photo lighting

CUVPHI503A Explore the descriptive and emotive nature of photo lighting

CUVPHIA Investigate and exploit innovative imaging options

CUVPHI504A Investigate and exploit innovative imaging options

CUVPHIA Produce an innovative presentation package of professional work

CUVPHI505A Produce an innovative presentation package of professional work

CUVPHIA Employ colour management in a digital imaging workplace

CUVPHI514A Employ colour management in a digital imaging workplace.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Client brief may include:

closed brief/open brief

self-commissioned for folio or self-promotion.

Commercial photoimaging shoots may include:

advertising (figurative, non-figurative)

architectural (internal, external)

catalogue/corporate report

fashion/food

industrial (small product, structural).

Sources of information may include:

contemporary media (newspapers, television, magazines)

internet sites

interviews

personal experiences

professional awards

professional libraries

workshops, seminars, conferences.

Appropriate person/s may include:

members of creative teams

art directors

client representatives

designers

members of relevant professional associations

mentors/peers

practising commercial photographers, photoimagists or members of allied fields.

Shoot responsibilities may include:

check estimate against budget and make necessary adjustments to date, props, location, talent

confirm budget with client

confirm legal aspects of the shoot (e.g. copyright, licensing issues and intellectual property rights)

control the creative product and the shoot

negotiate and sign contract

pay bills of third party suppliers/service providers

receive purchase order from client

select and hire model/s

select locations, props, backgrounds

send confirmation/quotation to client and include:

cover note

creative fee and usage

duration, media and region

terms and conditions

sign-off on creative product.

Shoot requirements may include:

analogue or digital capture technologies and supporting accessories

food and accommodation

layout references

model/s, props, backgrounds and hire options for equipment

photoimaging lighting:

ambient

light painting/light tents

light/shadowless tables

mixed lighting

multi-flash

supplementary (electronic flash/tungsten/fluorescent/other)

processing requirements for image work created

production team

studio, location (internal/external)

the creative product (how it is to be used/what the client specifies)

timelines for stages of commercial workflow

transportation of team/equipment

use of studio style or other as specified by client.

Professional practice arrangements may include:

contracts

copyright, licensing and intellectual property rights

creative product archive/digital asset management

financial management

insurance; personal public risk, accident and sickness, equipment, completed creative product transportation and storage

licences and permits

model and property releases

OHS

project budget management.

Shoot preparations may include:

assemble and check all equipment

brief assistants/members of creative team

conceptualise involvement in creative process

confirm time/place/requirements for all aspects of the shoot that will be supplied by others

undertake weather check for location shoots.

Shoot context may include:

agreed sign-off protocols

application of teamwork and management skills conducive to a creative environment

colour management specifications

format/orientation of image

provision of innovative suggestions/options to improve creative product

scope of the brief

technical requirements of creative product

timelines.

Production team may include:

art director/direct client

assistants for:

camera equipment

digital systems

home economists

location scout

make-up artists, hairdressers and stylists

post-production coordinator/s

set builders.

Optimise images may include:

maintain quality/integrity of the digital data

process files:

capture

digital negative

RAW

bit depth

colour space

digital asset management

file dimensions/size in pixels

file format (e.g. JPEG, TIFF, PSD, PDF)

file naming, metadata, captions and inclusion of file information data

multiple file formats

transfer media (e.g. CD, DVD, internet)

uncompressed/compressed files

retouch, enhance, photo-montage (as requested)

use appropriate colour space.

Creative product may include:

colour film transparencies to specified format

digital files as specified

print/s to specified size, mounting and finish.