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Evidence Guide: CUFPPM601A - Plan and manage film and media pre-production

Student: __________________________________________________

Signature: _________________________________________________

Tips for gathering evidence to demonstrate your skills

The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!

From the Wiki University

 

CUFPPM601A - Plan and manage film and media pre-production

What evidence can you provide to prove your understanding of each of the following citeria?

Confirm scope of productions

  1. Consult with producer or director to clarify production expectations based on negotiations or decisions made during the development phase
  2. Break down scripts scene by scene to establish detailed resource requirements
  3. From script breakdowns, identify issues that have budget or shooting implications
  4. Prepare preliminary overall and pre-production schedules
  5. Prepare preliminary shooting schedule to confirm that length of shoot allowed in budget is accurate
Consult with producer or director to clarify production expectations based on negotiations or decisions made during the development phase

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Break down scripts scene by scene to establish detailed resource requirements

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

From script breakdowns, identify issues that have budget or shooting implications

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Prepare preliminary overall and pre-production schedules

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Prepare preliminary shooting schedule to confirm that length of shoot allowed in budget is accurate

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Finalise budgets

  1. Establish cost and availability of required resources from reliable suppliers and information sources, taking into account relevant considerations
  2. Re-time scripts to help prepare accurate estimates of production times and to identify whether scripts need pruning to meet budget constraints.
  3. Liaise with relevant colleagues to clarify requirements, roles and responsibilities in different production and post-production areas
  4. Identify potential problems with conflicting production requirements, and take appropriate action to resolve
  5. Present cost estimates to relevant colleagues for discussion and negotiate changes and compromises as required
  6. Compile final resource schedule, including adequate contingency plans
  7. Ensure budgets reflect realistic achievement of creative and technical production requirements, availability of resources and personnel requirements
Establish cost and availability of required resources from reliable suppliers and information sources, taking into account relevant considerations

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Re-time scripts to help prepare accurate estimates of production times and to identify whether scripts need pruning to meet budget constraints.

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Liaise with relevant colleagues to clarify requirements, roles and responsibilities in different production and post-production areas

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Identify potential problems with conflicting production requirements, and take appropriate action to resolve

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Present cost estimates to relevant colleagues for discussion and negotiate changes and compromises as required

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Compile final resource schedule, including adequate contingency plans

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Ensure budgets reflect realistic achievement of creative and technical production requirements, availability of resources and personnel requirements

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Manage pre-production

  1. Oversee establishment of a production office, ensuring that it is fully operational for the start of pre-production activities
  2. Meet regularly with heads of departments to monitor expenditure against budget estimates, taking action as required to keep overall expenditure within budget
  3. Circulate scripts to relevant personnel and establish and monitor the process for communicating script changes
  4. Set up the financial organisation of the production and processes for reporting against budgets
  5. Ensure that all arrangements for access to locations are completed correctly
  6. Organise publicity and press briefings as required
  7. Commission safety reports from approved safety consultants and circulate reports to relevant organisations and personnel
  8. Oversee pre-production activities of all departments, providing guidance and assistance as required
  9. Finalise shooting schedules and circulate final production documentation to relevant personnel
Oversee establishment of a production office, ensuring that it is fully operational for the start of pre-production activities

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Meet regularly with heads of departments to monitor expenditure against budget estimates, taking action as required to keep overall expenditure within budget

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Circulate scripts to relevant personnel and establish and monitor the process for communicating script changes

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Set up the financial organisation of the production and processes for reporting against budgets

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Ensure that all arrangements for access to locations are completed correctly

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Organise publicity and press briefings as required

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Commission safety reports from approved safety consultants and circulate reports to relevant organisations and personnel

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Oversee pre-production activities of all departments, providing guidance and assistance as required

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Finalise shooting schedules and circulate final production documentation to relevant personnel

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Assessed

Teacher: ___________________________________ Date: _________

Signature: ________________________________________________

Comments:

 

 

 

 

 

 

 

 

Instructions to Assessors

Evidence Guide

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the following is essential:

detailed resource schedules based on a thorough analysis of scripts

ability to negotiate with production and design teams to develop workable resource plans

development of production budgets that take account of all aspects of productions.

Context of and specific resources for assessment

Assessment must ensure:

practical demonstration of skills through the development of resource schedules for a range of film and media productions

development of resource schedules and budgets within commercially realistic time constraints

involvement of and interaction with production and design teams to reflect the communication and negotiation aspects of the unit

access to appropriate learning and assessment support when required

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed.

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:

direct questioning combined with review of portfolios of evidence and third-party workplace reports of on-the-job performance

review of pre-production documentation prepared by the candidate

discussion with the candidate about the management of the pre-production process, challenges faced and how these were addressed

written or oral questioning to test knowledge as listed in the required skills and knowledge section of this unit.

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:

BSBFIM501A Manage budgets and financial plans

BSBMGT502B Manage people performance

BSBPMG510A Manage projects

CUFPPM602A Plan and manage film and media post-production.

Required Skills and Knowledge

Required skills

effective communication, literacy and teamwork skills sufficient to:

interact with people with diverse interests and needs

show strong leadership qualities and work closely with team members

conduct negotiations with a wide range of production personnel and external suppliers and service providers

coordinate production meetings and brief personnel to achieve required outcomes

generate and distribute workplace documentation and reports

well-developed planning and analytical skills sufficient to:

analyse scripts

prepare complex schedules

develop budgets

monitor and report on expenditure against budgets

coordinate all pre-production activities

well-developed project management skills covering both physical and human resources

ability to address and solve problems and challenges in a timely and collaborative manner

self-management skills sufficient to:

work under pressure

provide appropriate and timely pre-production documentation

meet pre-production deadlines

initiative and flexibility when responding to unexpected changes in the pre-production schedule or process

numeracy skills sufficient to develop and adjust budgets and cost estimates

Required knowledge

meeting procedures and protocols as they relate to pre-production operations

duty of care to colleagues and general public

OHS and public safety legislation and regulations as they apply to film and television productions

industry knowledge, including:

roles and responsibilities of personnel in the film and television production industry

current industry practices, e.g. industrial awards, enterprise agreements, workers' compensation, contracts and safety codes

artistic and technical elements of film and television productions

sources of products, supplies and equipment

impact of technology on production and post-production operations

phases and practices in the pre-production process, including problems and challenges that arise

well-developed understanding of:

administrative procedures associated with managing pre-production activities

content, format and timing of different types of documentation developed and distributed by production managers

costing techniques for different types of production resources sufficient to develop and monitor budgets

Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Production expectations may include:

cast and crew preferences

completion guarantor

delivery schedule

distribution preferences

insurer

post-production preferences

start date.

Resource requirements may include:

administrative

art and construction, e.g. sets, props and scenic art

background action

cast

catering

costume

director's requirements

film and video stock and other consumables

locations

pre- or post-production facilities

studio

technical elements, such as:

lighting

cameras and camera supports

sound

audiovisual.

Issues that have budget or shooting implications may include:

action sequences and special effects requiring specialist equipment or vehicles, e.g. helicopters, boats and underwater gear

general cast configuration, e.g.:

number of speaking roles

extras

children

nature of locations, including:

travel and transport costs

specific personnel requirements, e.g. security, traffic control and police assistance

number of night shoots

scripted activities that require specialised crew, e.g. stunt personnel, armourers, animals and handlers.

Relevant considerations may include:

amount of time in rehearsal

amount of time on location or in studio

artistic/creative issues

budget

consumables

equipment resources

fees

human resources

schedule and timetable

travel and transport costs.

Production times may include:

post-production time

pre-production time

shooting time for each scene

shooting time for entire shoot

time scheduled for specialist personnel

time spent in studio

time spent on location.

Relevant colleagues may include:

art department personnel

cast

choreographers

costume and wardrobe personnel

crew members

designers

directors

heads of departments

post-production personnel

producers

safety personnel

script supervisors

scriptwriters

stage managers.

Relevant organisations and personnel may include:

completion guarantor

heads of departments

insurers

investors

Media, Entertainment and Arts Alliance (MEAA)

Screen Producers Association of Australia (SPAA).

Production documentation may include:

call sheets

cast lists

crew lists

location lists

safety reports

script amendments

shooting schedules.